Showing posts with label fairy tales. Show all posts
Showing posts with label fairy tales. Show all posts

Monday, September 30, 2024

Lost Kerchiefs Release Week: Goose Princess

Hello, friends! Welcome back to the Lost Kerchiefs Arista Challenge release week! We have two more books releasing, and today's is the long-awaited Goose Princess, book four of the Beyond the Tales series by Tricia Mingerink. This Goose Girl/Wild Swans mashup takes place in an American-inspired world and features protective brothers, backwoods adventure, and animal curses. As usual, I have a couple snippets of the book to share here, and you can visit Light and Shadows for an interview with the author.

About . . .

Goose Princess

Before he can have peace, he has one last curse to face.

In the three years since he woke from his enchanted sleep, High King Alexander has faced multiple curses, nearly died, and re-united the Seven Kingdoms of Tallahatchia. He has watched everyone around him find peace and happiness. Is it finally time for him to secure happiness for himself?

When an old enemy strikes once again, Alex finds himself on the run, hunted in his own kingdom, and all alone except for the most unlikely ally: a princess who can't talk to people and her gaggle of goose brothers.

With his enemies closing around him, Alex must make a choice. Will he rescue his best friend or save his kingdom? And, after everything he suffered, does he even want to be the high king or is this his chance to walk away and pursue his own happy ending?

Find it on: Amazon || Goodreads

Tricia Mingerink

Tricia Mingerink is author of adventurous fairytales and action-packed Christian kingdom adventure stories. She lives in Michigan with her dog, horse, and in a house stuffed to the rafters with books.

Find her online at: Website ||  Goodreads || Facebook || Instagram || Amazon 

Goose Princess Excerpts

First Lines

High King Alexander of Tallahatchia dipped his paddle into the still waters of the Kanawhee River. The prow of his canoe parted the shrouding morning mist lying thick over the river and clinging to the surrounding mountains. The faintest blush of pink painted the horizon and highlighted the edges of the summer leaves. 

For a moment, he rested his paddle across his knees and let his canoe drift with the current. He drew in a deep breath of the misty air tinged with the muddy wet of the river and crisp green of the trees crowding the banks. 

Potatoes

        Princess Keziah of Buckhannock perched on the edge of her seat at the dinner
table as she plotted how to ask for the potatoes.

~~~

Are you curious about Goose Princess? Please tell me in the comments!
Thanks for reading!

 

Friday, September 27, 2024

Lost Kerchiefs Release Week: Illusion's Reign Is Here!!!

Hello, hello, hello! Today is day five of the Lost Kerchiefs Arista Challenge release week, and that means it's a very special day for me: release day for my newest novel, Illusion's Reign! I'm super excited to be able to share this story with you after having worked on it so long, and I hope y'all will enjoy it. In fact, I'm so excited to share it that I'm posting an excerpt from the first chapter here . . . and if you're still curious after that, you can visit Light and Shadows for a behind-the-scenes look at some of my worldbuilding for the book.

About . . .

Illusion's Reign

A transformed princess is determined to reclaim what's hers — but can truth prevail when illusion wears the crown?

Crown Princess Onora of Atìrse is eager to prove herself as the heir to her parents' throne. Moving into one of her family's holdings away from the Royal Seat offers the chance to put into practice all she's learned and demonstrate what kind of queen she intends to one day be, and even the shadow of an uprising among Atìrse's faery neighbors can't dull her excitement. Yet her plans go awry when one of her attendants proves false and she's transformed and replaced by a faery imposter.

Though cursed and cast into the role of a lowly goose-keeper, with only her beloved cat as an ally, Onora refuses to admit defeat. She'll do whatever it takes to break the curse, expose the imposter, and take back the role that is rightfully hers. However, that's easier said than done when her opponent can so easily manipulate the truth — and the fickle feelings of the locals and the surliness of the miller's strange assistant don't make her task any less difficult.

Time is swiftly passing, and Onora must reclaim her place before the transformation becomes permanent. But can she do so when nothing is as it seems and even her allies have secrets?

Return to the kingdom of Atìrse and discover what happens when "The Goose Girl" meets "Puss in Boots" in this prequel to the award-winning Song of the Selkies.

Find it on: Amazon || Goodreads

Illusion's Reign Excerpt: A New Beginning

The castle came into view as Onora’s party crested the hill, the grey walls and keep rising against the blue of the summer sky. The sight brought a thrill and a thrumming excitement to Onora’s heart. Nearly there!
The road here had been—not hard. They’d spent every night at the homes of nobles, had been welcomed and feted and given every courtesy. The weather had been fair, the road free of brigands and other hazards. And despite all the unrest in Tìr Soilleir, the kingdom of the faeries and Atìrse’s nearest allies, and despite all Onora’s parents’ and grandmother’s worry about trouble with rogue faeries along the road, especially with message mirrors largely unusable, the greatest inconvenience anyone in the party had suffered was the moping of Onora’s maid, Brigid.


No, the road hadn’t been hard. But it had been long. Onora felt she could have done just as well with a faster pace and fewer stops, even if that would have meant staying at inns or camping rough instead of resting in noble houses. Still, that was past. They were here—they were home—at last.


The same excitement that had caught her seemed to have touched her companions as well. The guards and the handful of servants she’d brought with her exchanged jokes and comments about what they’d do first when they reached the castle, laughing and teasing one another. None addressed Onora, but that was fine. She would be their queen someday, and so it was only right that she should stay a little aloof.


The castle remained in view as they trotted their horses down the slope of the hill and along the road that led through the fields. Spirits remained high as well; when Onora glanced back, she saw that even Brigid had perked up—somewhat, at least. Her petulant frown remained, puckering the burn scar that covered one cheek, but at least she had straightened in her seat on the back of the little-used carriage.


Onora sighed and turned to face forward again. When she got to the castle and got settled, the first thing she’d do would be give Brigid three days off to sort herself out. She knew the woman had reason to be upset. Brigid didn’t like travel, she hadn’t wanted to leave her family in the royal seat, and the man she’d been seeing had broken things off with her three days before the party left. 


All the same, Onora had given her the chance to resign, and Brigid had chosen to come. “I’ll manage,” she’d said the day before they departed. “Maybe being far away from Rian will be good for me.”


So far, all Brigid had managed to do was mope, sulk, and be so slow to do as Onora asked that Onora frequently found it easier to fend for herself. But maybe she’d be better once they weren’t on the road anymore—and if not, Onora would send her back to the royal seat and find a replacement among the castle maids. 


Despite her eagerness to reach the castle, however, as they drew nearer, Onora turned her horse towards the sea cliffs and the small, round tower set upon one of them. Though it was still day, a light shone at the top. “We’ll go to the Tùr-Faire first to meet with the priest and ask Dèanadair’s blessing on this next stage.”


Brigid groaned, but the guard commander, Captaen Atholl, nodded and called out the order to the company. They all turned with Onora and made for the Tùr-Faire. 


The doors of the Tùr-Faire stood open, but Onora could see no one inside. That was hardly a surprise. It was too early for an evening service and too late for a morning one, and Onora wouldn’t expect services on Speuratha, two days after the main day of worship, anyway. 


Still, no one visible on the main level didn’t mean no one was present at all. So, as they reached the door, Onora reined her horse in and dismounted, swinging expertly to the ground. As she did, her cat, Càirdeil, roused himself with a sharp “Meowl?” from the nest of blankets Onora had made for him behind her saddle. He stretched and then hopped to her shoulder, landing atop the protective leather she wore there for just such a purpose and hooking his back paws into the chain loops at its edge.


Onora waited for him to settle himself there before addressing Captaen Atholl. “Captaen, will you and one of your men come in with me?” Turning to the others, she added, “The rest of you can come or stay as you please. I do not plan to be long.”


Captaen Atholl dismounted, gesturing for one of his men to do the same. A few of the servants also climbed off their horses or their seats on the carriage. The greater part remained where they were, however, and Brigid sighed wearily.


Was even honoring Dèanadair not reason enough for Brigid to cease her grumbling? Onora shut her eyes for a moment and took a deep breath. She would not allow her maid to ruin this day for her, nor would she harbor bitterness in her own spirit when she entered the house of Dèanadair. Her parents had taught her better than that.


Opening her eyes once more, Onora led the way into the Tùr-Faire. It was as empty within as it had looked from outside, but she could hear voices and movement from the second floor, where the priests had their quarters. So, she asked one of the guards, “Will you go inform the priests that I have arrived and wish to speak with one of them, preferably the head priest?” She couldn’t recall his name just now—the one she’d known growing up had stepped down after many long years of faithful service, and she was tired enough that she wasn’t quite sure which of the two possible replacements had been selected.
The guard saluted and obeyed, jogging towards the staircase—cleverly hidden from easy view by a trick in the curving architecture in the walls. He vanished up the steps. Onora heard his footsteps, then muffled voices. A moment later, he returned. Just behind him came a dark-haired man whom Onora judged to be perhaps five or six years younger than her father. He wore the green robes of a priest, trimmed in white to indicate his rank as the spiritual leader of this community. 


As he neared her, he stopped and bowed. “Greetings, your highness. Dèanadair’s blessings be upon you.”
“And upon you,” Onora replied, gesturing for him to rise. “So, you have taken Aoghaire Rowan’s place?”
“Indeed, your highness. Dòmhnall is my name.” Now that he’d performed the necessary formalities, Dòmhnall stood straight before her and looked her in the eyes, much like Deòrsa, the head priest who often counseled Onora’s father, did before King Seòras. Good! Exactly what Onora had hoped for. “And you have come to take the place of her majesty your grandmother?”


“I have, yes.” Not that Queen Moireach would be leaving permanently anytime soon—this was her favorite of the royal holdings, and no one would dream of telling her she couldn’t stay. But this was also one of the holdings where heirs to the throne often dwelt between coming of age and starting their reigns, and in the same way, Onora would now take over the ruling of this castle and its lands, with Queen Moireach serving as an advisor.


In ordinary circumstances, the summer would have seen a slow shift of responsibility from Queen Moireach to Onora. However, the business of the faery uprising had kept Queen Moireach in the royal seat for a month and a half now, and she would most likely remain there until the rest of Onora’s family arrived in a few months’ time to make ready for Onora’s wedding. So, the transition would be much more rapid—but this was a quiet location, safe from most threats, and most aspects of life here managed themselves, and Onora doubted there would be any issue.


Dòmhnall inclined his head slightly. “Then I welcome you once more, your highness, not just as yourself but as the new lady of these lands.”


“Thank you, Aoghaire,” Onora replied. “I have not yet taken up residence in nor command of the castle, for I wished to come here first. I hoped that you might pray over these next steps in my path, that I would have both Dèanadair’s blessing and His wisdom as I walk them, before I truly began.”


A smile spread over Dòmhnall’s square face. “It would be my honor, your highness. Will you come kneel at the altar?”


“Gladly.” Onora did as Dòmhnall had asked, walking to the carved and painted altar and kneeling just before it. Càirdeil leapt from her shoulder as she descended, landing with his stub-tail in the air, and padded off to investigate the corners of the room. 


Onora clasped her hands and bowed her head as Dòmhnall rested his hands on her shoulders. For a moment, he was silent, no doubt finding the right words. Then he spoke, his voice quiet, but authoritative. “Dèanadair, Maker of Earth and Sea and Sky, we praise You, for You set the paths of men both noble and common according to Your unending wisdom. You lead us through green pastures and by clear streams, and You do not abandon us when we walk through valleys of thorns and snares.


“You set our paths, Dèanadair, and You already know each step that lies before Princess Onora. Until now, she has walked beside her parents and been guided by them in Your ways. Now she steps onto a path of her own, yet I pray that she would remain on Your true path, Dèanadair. May she follow in the footsteps of Cìobair, the Shepherd, walking in the way that leads to life and leading others in the same way, regardless of the cost. May the flame of the Gèadh Naomh, Your guiding Spirit, never dim in her heart; may she listen to its warnings and heed its guidance in each decision she makes.”


Dòmhnall’s hands squeezed Onora’s shoulders in a fatherly sort of way. “May she have courage, Dèanadair. A queen needs courage every day; so, too, does a young woman whose kin are far away. May she not forget that You walk with her. May she have wisdom to discern right from wrong and truth from lie, wisdom to find good friends and counselors and to avoid those who would try to draw her off Your way. And in all things, I pray that she would bring honor to You, her heavenly father, and to the king, her father in this realm, and that, despite her youth, she would be a shining example of what it is to walk in Your ways. As we pray, Dèanadair, so may it be.” 


“So may it be,” Onora echoed softly. Dòmhnall’s hands left her shoulders, and she stood. “Thank you, Aoghaire. I appreciate your prayer, and I hope you will not cease to pray on my behalf.”


“I have been doing so long before now, your highness, and I have no intention of stopping.” Dòmhnall looked as though he might have laughed but caught himself just in time. “And if there is aught else a priest may do for a princess, I am at your service.”


“I am of the opinion that a princess always needs a priest.” Onora smiled wryly. “Or so my royal father and mother have taught me. They take council often with Aoghaire Deòrsa, the head priest nearest our castle. I hope I will be able to call on you for advice in the same way.”


Dòmhnall bowed his head. “It would be my honor, your highness, as well as being my duty before Dèanadair.”


“Good! Then I am certain we will see much of each other.” Even from this brief interaction, Onora had no doubt that Dòmhnall would be a valuable councilor. He was younger than Deòrsa, but he was devoted and seemed to know the words of Dèanadair well. “And do not hold back in your council, please. If you see me walking down a foolish path, or a path that would dishonor Dèanadair, warn me of my folly, whether I ask for it in the moment or not. No king or queen is above such warnings when given by a servant of the Maker.”


“I will do my best, your highness,” Dòmhnall replied. There was a hint of humor in his voice as he added, “And you will forgive me if, should such warnings be necessary, I remind you that you made this request.”
“I would expect nothing less.” Onora almost laughed at that. “Thank you once more, Aoghaire, and good day to you.”

~~~

Are you excited to read Illusion's Reign? Please tell me in the comments!
Thanks for reading!

Thursday, September 26, 2024

Lost Kerchiefs Release Week: Arabella's Song

Hello, friends! We are now on day four of the Lost Kerchiefs Arista Challenge release week, celebrating the release of Arabella's Song by Meagan Myhren-Bennett. This retelling blends The Goose Girl with The Pied Piper, featuring a kingdom in danger, royals in disguise, and a mysterious song that just might save our heroine's life. Get a taste of this book in the snippet I have to share with you, or learn more about the author and story in an interview over at Light and Shadows!

About . . .

Arabella's Song

A song calls her to her destiny until a betrayal threatens her future.

Arabella's future has long been decided, but she'll have to fight for it when her trusted servant betrays her.

All her life, a song has drawn her towards her destiny, and now it may very well be what saves her life.

With the aid of a talking horse, a mysterious stranger, and a foreign dignitary, Arabella is in a race against time to reclaim the identity stolen from her in this story based on the Goose Girl and the Pied Piper of Hamelin.

This is the first book in The House of Sorah series.

Find it on: Amazon || Goodreads || Full Series

Meagan Myhren-Bennett

Meagan's love of words began at an early age - starting with bedtime stories read nightly. Her first foray into the printed word was a collection of poems and stories, which was limited to a one-copy printing when she was eight years old. Unfortunately, this rare single copy was lost in a cross-country move.

When not creating word magic, Meagan spends her working hours among the stacks of her local library, where she has been happily employed for several years.

This Northern Californian native who now calls Wisconsin home, after brief excursions to Florida and Illinois, shares her home with a small herd of Dachshunds.

Sharing my heart through words.

Find her online at: Website || Blog || Goodreads || Facebook || X formerly Twitter || YouTube || Newsletter || Instagram || MeWe || Bookbub || Amazon 

Arabella's Song Snippet

I wanted to get closer. I wanted to see the player's face. I needed to  see his face. The bank was at least twenty feet from where I stood and I was  unsure of the river's depth. The moonlight playing across its surface gave nothing away. I wanted to get the player's attention, but I didn't  want to interrupt the song. I drew as close to the water's edge as I could, but I needed to be closer. I stepped into the river and was shocked by the cold. I was barefoot. Why am I barefoot? I looked down at my feet only to notice that I was dressed in my  nightgown without even a robe to protect me from the cold night air. How did I get here? And why hadn't I changed into more suitable clothing? The confusion was overwhelming, and I felt a sense of disorientation that I couldn't shake off. 

Are you curious about Arabella's Song? Please tell me in the comments!
Thanks for reading!

Tuesday, September 24, 2024

Lost Kerchiefs Release Week: Wind Charmer

Hello, everyone! It is now day two of the Lost Kerchiefs Arista Challenge release week, and today's book is Wind Charmer by Meredith Leigh Burton. This retelling features an autistic heroine, talking animals, hidden powers, and chosen destinies, as well as a friends-to-lovers arranged marriage romance. You can read a small snippet of the book if you scroll down this post, or you can visit Light and Shadows for an interview with the author.

About . . .

Wind Charmer

Felicity does not conform to her kingdom’s idea of a princess. She is shy, clumsy and very routine in her habits. Yet she is also fiercely protective, adores animals and determined to fulfill her royal duties despite the anxiety that often grips her heart.

Felicity has been chosen to marry Prince Nathan of the kingdom of Fidel, a man whom she has never met. Will her eccentricities upset him? When Felicity sets forth on her momentous journey to Fidel, she quickly realizes that a threat lurks closer than she could ever have imagined.

Thrust into a kingdom with different customs, Felicity struggles to adapt to the changes that she must encounter. The malevolent circumstances that follow her every waking moment begin to encroach upon those she holds dear. Felicity must confront the evil that seeks to devour her, an evil that is as deceptively beautiful as it is deadly. Yet how can she do so when feelings of self-doubt and shame plague her every waking moment? Can she find the courage to leave her comforting routines behind in order to save two kingdoms from an impending tyrant’s rule? A surly goose herder, a brusque groom and possibly the prince himself may be the only ones who can help. But can she trust them?

A story of hidden strength, deception and finding your voice, Wind Charmer is a tale of two kingdoms grappling to survive. Gifts of unusual power can be used to hurt or heal. A golden goose and a kind horse will play pivotal roles in a young maiden’s quest to find the courage to face an insidious threat, and a young prince must face a harrowing past in order that he may become the ruler he is destined to be. Wind Charmer is a tale not to be missed, a story of perseverance and faith in the midst of evil.

Find it on: Amazon || Goodreads

Meredith Leigh Burton

Meredith Leigh Burton is a voracious devourer of fairy tales. She is a motivational speaker, teacher and writer. She attended the Tennessee School for the Blind and Middle Tennessee State University, where she received a degree in English and theater. Meredith hopes to convey through her writing that people with differences can contribute much to the world. "Snow White" has always been her favorite fairy tale. Meredith has written another fairy tale based on "Snow White" entitled Hart Spring, which can be found in her anthology, Blind Beauty and Other Tales of Redemption. She resides in Lynchburg, Tennessee.

Find her online at: Goodreads || Amazon 

Wind Charmer Snippet

Felicity’s head jerked up, and she gasped. That was surely Falada’s voice she was hearing, but it was impossible. Suddenly, Felicity became aware of a gentle cooling sensation upon her wrist, the sensation of an autumn breeze. A scent of apple blossoms and honey permeated the air. Shaking, Felicity gazed at the horsehair bracelet upon her arm. It glowed a deep golden hue, the color of sun-kissed honey. Was she going mad? “Falada?”

What did you think of that snippet? Are you excited for Wind Charmer? Please tell me in the comments!
Thanks for reading!

 

Monday, September 23, 2024

Lost Kerchiefs Release Week: The Handmaid's Blood

Hello, friends! Welcome to release week for the Lost Kerchiefs Arista Challenge! Aka, the week in which we launch seven new Goose Girl retellings into the world and hope they land well. For this week, I'll be sharing snippets and fun facts here on Dreams and Dragons, while Light and Shadows will host interviews with each of the authors. We're starting out the group release with Kendra E. Ardnek's new short story, The Handmaid's Blood, a villain-twist retelling featuring compulsion magic, political intrigue, and an unexpected alliance. Read on to learn more, including some behind-the-scenes info from Kendra on how The Handmaid's Blood came to be!

About . . .

The Handmaid's Blood

Three drops of blood bind her to the princess’s will.

But three drops of blood bind the princess to her mother’s will. And when her mother’s will is to travel to the neighboring kingdom as a bride to its doom, the princess sees only one way out. Can the handmaid carry on the charade long enough to prevent a war? Or is compulsion magic not even enough to disguise a handmaid as a royal?

Find it on: Amazon || Goodreads || Full Series

Kendra E. Ardnek

Kendra E. Ardnek is the self-proclaimed Arista of Fairy Tales. Having just gotten married and moved across the state, she doesn’t know who she is anymore, but once she figures that out, she fully intends to create a new author bio just as silly as her previous bio.

Find her online at: Website || Blog || Goodreads || Facebook || Twitter || YouTube || Newsletter || Instagram || TikTok || Tumblr || Amazon 

The Handmaid's Blood Fun Fact: Changing Plans

While I knew from the start that this retelling would involve compulsion-flavored-blood-magic, I didn't have much else set in stone for this retelling. I really thought that the princess was going to be evil and the handmaid's quest for freedom was going to be the center of it. However, as soon as I sat down to write, I discovered that the handmaid was actually sympathetic to the princess and happy with her lot, and it was the princess who felt trapped. 

Then I had the issue that the original setup for the princess's mission was just a little too close to Elindala's goals in Pumpkin War, and just a little too vague for me to properly foil within the word constraint of the Once Upon a Twisted Time tales. It was actually this plot point that held me in a writer's block coma right up until the day before I needed to upload it to Amazon, when I suddenly realized that there was a much simpler scheme that the queen could employ to get her war, and then everything fell into place from there. I did have a hot minute where I didn't think Falada was going to properly make his way into the story, but then the handmaid and princess both wandered their way into the stable and I knew I had my Goose Girl retelling. 

So, all told, I think this was a fun first stab at the fairy tale, and I should do it again sometime. 

~~~

Are you excited about the Lost Kerchiefs releases? Have you ever changed your plans on a project at the last minute, and how did that work out for you? Please tell me in the comments!
Thanks for reading!

 

Thursday, September 21, 2023

Stolen Songs Release Party: Interview with Sarah Beran

 

Hello, all! We're onto our third Stolen Songs release: Sarah Beran's My Fair Mermaid, a blend of The Little Mermaid with Pygmalion (which y'all may better know in its movie form as My Fair Lady). After this, we'll take a break until about mid-October, when the remaining two Stolen Songs release . . . but until then, we have this super fun read! I got the chance to interview Sarah Beran, so read on for that. Or you can hop over to Light and Shadows to get my thoughts on the book!

About My Fair Mermaid

The Little Mermaid meets Pygmalion…

Maribel has learned to stay quiet. As an orphan relying on the generosity of family, and with six outspoken and energetic cousins, silencing her own voice is often the easiest way to keep the peace and ensure her own acceptance. After helping her cousin rescue Prince Frederick from a shipwreck, Maribel finds herself as the unwitting accomplice in her cousin’s plot to marry the human prince. The plan is simple: Maribel will distract Frederick’s grumpy best friend, Professor Hadrian Higsley, so that the scheming mermaid can cozy up to the prince.

Between a friendly wager over slippers, her growing attraction to a certain translator, the appearance of a foreign fiancée, and an increasingly desperate cousin, Maribel finds it harder and harder to remain a silent observer. Will she finally find the courage to speak? Or will the little mermaid choose once again to give up her voice?

Find it on: Amazon || Goodreads

Interview with Sarah Beran

Welcome to the blog! To start out, please tell us a little about yourself. Who are you, what are your favorite hobbies (aside from writing) or favorite books (outside your own), and do you prefer coffee or tea?
 
My name is Sarah Beran. I am a fairy tale author by night (and weekend), as my day job is actually a music teacher. I teach PreK-6th grade general music, AP Music Theory, and a highschool handbell choir. I love playing the saxophone, long-distance running, and reading. My favorite books are the Lord of the Rings trilogy and Lloyd Alexander's Chronicles of Prydain. Both greatly influenced my love of fantasy and the types of characters I love to put in my books, and I'm still pretty certain that I want to be a hobbit when I grow up.
 
Coffee is the superior beverage. Tea is lovely, but coffee is king.
 
I will have to disagree with you there, but I digress . . . So, let's talk about your book! Where did you get the idea to combine The Little Mermaid with Pygmalion?
 
I don't remember how exactly it came about, other than I was trying to brainstorm a new approach to the Little Mermaid and coming up with a list of all the different angle and approaches to having a voice stolen. Is it a literal voice? A metaphorical voice? Voice as agency? My Fair Lady has always been a favorite of mine, and I love how in both the play Pygmalion and in the musical version, Eliza is not only taught to speak (literally given a voice), but she also learns how to stand up for herself. One thing led to another, and, well, here we are.

Here we are indeed, with pretty great results if you ask me! If you could have My Fair Mermaid adapted into another form of media, what would you pick?
 
That's a hard one. Maybe another musical? That could be fun. 

I can definitely see My Fair Mermaid as a musical, and not just because of the source material. Moving on, what's something you learned while writing this book?
 
This story involved a lot of body language that was challenging to translate into written words. I spent of a lot of time posing and making faces and analyzing just exactly what was happening. There were several times I'm sure my husband thought I was crazy.

Ha! Such is a writer's life. To finish up, can you tell us a little about what you're currently working on and what we can expect from you next?
 
I'm currently working on a retelling of Stravinsky's Firebird for my "Seasons of Music and Magic" series, which retells stories from classic operas and ballets. There's also a sequel for Freddy and Eliza in the works that may or may not involve a lot of ice...
 
Both of those sound awesome . . . but I'm definitely more excited for the second one, not going to lie.

Thank you to Sarah Beran for answering my questions, and thank you to you all for reading! Does My Fair Mermaid sound like something you'd enjoy? Please tell me in the comments!

Tuesday, September 19, 2023

Stolen Songs Release Party: Song of the Selkies Sneak Peek [IT'S HERE]

 

You know what today is? It's RELEASE DAY for Song of the Selkies! And I couldn't be more excited! The process of writing this book has been a journey in which absolutely nothing went as expected (and very little happened on the original schedule), but I have fallen in love with these characters and this world anyway. And now I get to share them with you! Which is delightful and terrifying. (Releasing a new standalone or series start is, for the record, always terrifying. When I write Bastian Dennel sequels, I know that people already love the characters, and that's half the battle. And I think y'all will love the cast of Song of the Selkies — my beta readers and ARC readers certainly do! — but setting them out into the world is still daunting.) Anyway, I know that some of y'all already preordered and are probably just as excited as I am, but in case any of you need a little convincing, I'm giving you a sneak peek at the first chapter — or you can hop over to Light and Shadows to discover five reasons why I think you should give the book a try.

About . . .

Song of the Selkies

Undercover in a foreign land, a princess discovers the secrets behind a generations-old enmity.

The youngest princess of Atìrse, Ceana always planned to marry for the good of her people and let love come later. With her sisters' marriages ensuring peace with the nearby human kingdoms, Ceana sets her sights on their last unallied neighbor: the magical and reclusive selkies. The two peoples have experienced a wary peace for generations, and the time seems ripe for a deeper alliance that will benefit both kingdoms. The last thing Ceana expects is for Fionntan, king of the selkies, to take the proposal as a grave insult.

With relations between the two peoples suddenly precarious, Ceana is determined to set things right. Aided by her grandmother, she disguises herself as a selkie and travels to their hidden home of Emain Ablach, where she hopes to discover the reason behind King Fionntan's reaction. But the more she learns about the selkies, the more she uncovers long-kept secrets of her people — and her heritage — that shake the foundations of how she viewed the world. Her growing friendships with and affection for some of the selkie nobility, including King Fionntan himself, further complicate matters, especially as her admiration for the selkie king begins to blossom into something more. No relationship built on a lie can survive, but revealing her true identity as an Atìrsen princess will doom her efforts towards peace.

In order to bridge the divide between selkies and humans, Ceana will have to overcome generations of selkies' suspicion and reveal the insidious evil that's taken root in her homeland. But the greatest obstacle to her success may be her own heart.

Discover a magical new world in this Little Mermaid retelling from the author of Through a Shattered Glass and the Bastian Dennel, PI mysteries

Find it on: Amazon || Goodreads

Song of the Selkies Chapter 1

As betrothal ceremonies went, Ceana couldn’t help but feel that this one was rather lackluster. She should know—she’d attended five before this just for her own sisters.

True, all the elements for such a ceremony were present. The seats of the castle chapel were filled with the most notable Atìrsen nobles, along with many of the lesser lords and ladies who lived within a week’s travel and ambassadors from most of Atìrse’s nearer neighbors. The chapel, while not as grand as the one at the royal seat, looked lovely. The afternoon sun streamed through the many tall, narrow windows, setting the enameled murals on the walls aglow, gleaming on the pale stars beneath the Maker’s Hand, the scarlet footsteps of the Shepherd’s Path, and the vibrant flames of the Gèadh Naomh. Banners hung on either side of the murals, displaying the colors of both Atìrse and Glassraghey.

And Mirren herself, standing at the front of the chapel with King Seòras and Queen Isla, her and Ceana’s parents, and Lord Pherick, the Glassraghean ambassador, looked so lovely that she might have been ready for her wedding, not just her betrothal: serene and solemn, her honey-brown hair falling past her shoulders beneath a web of thin braids held in place with gold pins tipped with tiny jewels that matched the sunset hues of her kirtle and gown. The skirt, sleeves, and neckline of the gown were nearly covered in embroidery, all done by Mirren’s own hand, the tiny stitches forming designs intricate enough to be the envy of any woman. It was, Ceana knew, Mirren’s favorite gown, and she added to its embellishment any time she came up with a new idea. Beside her, everyone else practically faded into obscurity. Still, something seemed to be lacking.

With effort, Ceana tried to focus her attention on the ceremony itself and on King Seòras’s speech. “We are honored by the chance to join our family to that of Glassraghey and to solidify the bond of peace between our peoples. Dèanadair has truly laid His blessing upon Atìrse, allowing us to seek friendship with our neighbors and lay aside suspicion, and we seek to honor Him in maintaining that peace …”

Perhaps that was part of the problem. King Seòras had given nearly the same speech a year and a half ago, when Rhona, the third-youngest of the sisters, had been betrothed to Prince Gwynfor of Addewedig. He’d changed some of the details for today, removed some small parts and added others, but much of the flow and wording remained the same. Of course, after having given similar speeches five times before, he was probably running low on new things to say. All the same, Ceana couldn’t help wondering how many others had noticed.

King Seòras finished his speech, and Lord Pherick began his. “On behalf of Prince Martyn and their majesties, King Austeyn and Queen Mureal, allow me to express the royal family’s joy at this coming union, and their great sorrow that they could not be personally present …”

Ah. That was another part of the problem—the greatest part, even. The whole ceremony would have been far better if Mirren’s intended were actually here, rather than represented by Lord Pherick. True, Prince Martyn and his family had good reason for their absence. Just the week before, they’d sent a mirror-message to say that several members of the royal household, Prince Martyn included, had fallen gravely ill, and so it would be best if Pherick stood in their stead. Even so, it wasn’t the same, and Mirren really did deserve better.

A sharp nudge in Ceana’s side warned her that her thoughts were beginning to show—or, at least, that they were visible to Onora, the crown princess and Ceana’s eldest sister, who stood beside her. Ceana hastily recomposed herself. If she couldn’t give Mirren better, she could at least keep from spoiling things further by letting her thoughts show.

At the front of the chapel, Lord Pherick went on with his speech. “The greatest gift Dèanadair grants any of His people, after the gift of the Path, is the opportunity for each of us to serve our neighbor. And with this union and the greater peace it brings between our lands, so may our two nations more freely partake of this gift …”

Well, that much was true! And that—the betrothal, not the betrothal ceremony—was the important part. Every betrothal and marriage between Atìrse and her neighbors was another step towards ensuring a friendship between the nations that would, Dèanadair willing, last for generations. Ceana and Mirren, like their sisters, had grown up knowing it would be part of their duty to contribute to this peace—duty and honor both! For what greater service could there be than ensuring peace for one’s people, both in the land of one’s birth and the land of one’s marriage?

And, technically, they needed none of this pomp to make a betrothal official. Atìrsen law only required that any royal betrothal be finalized in the presence of a certain number of noble witnesses. Making it into a grand affair just provided an opportunity for the nobility who wouldn’t be able to travel for a foreign wedding to show their support for the union. In that respect, today’s ceremony was more than sufficient.

Lord Pherick finished his speech, and now came Mirren’s turn to speak. She flushed slightly as she began: “I am truly honored to have been accepted as Prince Martyn’s future wife. Though I do not yet know the prince, I know of him, and I look forward to building a life with him that will benefit both Atìrse and Glassraghey and will honor the name of Dèanadair. May His blessings be upon us both and upon our countries.”

Even with the blush, she delivered her statement well—as she ought, given that she’d practiced it nearly a hundred times last night and made Ceana and Onora listen to most of those repetitions. Onora had privately commented afterwards that she’d felt less nervous about her own wedding than Mirren evidently did about this ceremony—but that was Mirren for you!

With the speeches now ended, King Seòras, Queen Isla, Lord Pherick, and Mirren all bent and signed the betrothal contract, one after another. Then King Seòras and Lord Pherick shook hands, and Lord Pherick bowed to Mirren. Had Prince Martyn been here, he would have kissed her hand—but he wasn’t, so he couldn’t. With that, the ceremony ended, and King Seòras offered his newly-betrothed daughter his arm to depart the castle chapel for the banquet in the great hall.

Lord Pherick followed just behind, escorting Queen Isla. Next came the Dowager Queen Moireach, Ceana’s grandmother, leaning on an elegantly carved ivory cane. Then came Onora, escorted by her husband, Prince Alasdair. Ceana brought up the rear of the procession, escortless—for now. Not for long, if she knew her father and mother.

She stepped outside just in time to see King Seòras give Mirren a quick squeeze of the shoulders, then leave her with Onora and Alasdair as he, the queens, and Lord Pherick moved off to speak together. Now that the ceremony was over, Ceana dropped her formal pace and hurried over to hug Mirren. “Congratulations! How does it feel to be properly betrothed?”

“A lot like being not-betrothed, so far.” Mirren wrinkled her nose, but returned the hug. “And Glassraghey can still back out.”

“But they won’t. They want an alliance as much as we do.” Ceana released Mirren, though she kept her arm looped through Mirren’s. “Isn’t that right, Onora?”

“If Glassraghey changes their mind at this point, it means something has gone very wrong indeed.” Onora raised herself on tiptoe to give her husband a kiss on the cheek, then pushed him in the direction of the main keep. “Go distract anyone who tries to enter the Great Hall, won’t you? That ceremony finished faster than I thought, and I don’t think the servants have had enough time to set up.”

“Bossy,” Alasdair teased, returning the kiss. “And who’s lord of this castle, I’d like to know?” Nonetheless, he set off towards the keep, walking as if it had been his idea in the first place.

Onora took Mirren’s other arm. “See what you have to look forward to?” Still, she laughed. “Don’t you worry. Everything will be fine. By all accounts, Prince Martyn is quite taken with what he’s heard of you.”

Ceana grinned around Mirren. “Oh, your agents afield are keeping track of our allies’ love lives now, are they?”

“Well, naturally,” Onora replied, raising an eyebrow. “Part of their job—” She paused as a stub-tailed cat darted over to rub himself against her legs. “Oh, bother. Càirdeil, what are you doing out here?” She let go of Mirren’s arm, bent, and scooped up her cat. “As I was saying, part of their job is to find out who would be best suited and most amenable to an alliance so I can advise Athair and Màthair. Should Prince Martyn be infatuated by some local lass, we’d not about send one of you off to marry him.”

“I’d go anyway,” Mirren murmured, though she didn’t sound entirely certain of her statement. “If I needed to. I’d have every cat in the palace to keep me company if the prince didn’t care to.”

Càirdeil chose this moment to let out a rumbling meow, as if to say he approved. Onora gave a little shake of her head. “Maybe, but a marriage with nothing between husband and wife is a dishonor to Dèanadair and a disservice to both countries it binds.” She set off towards the keep, and Ceana and Mirren followed her. “I don’t know why we’re fussing over this anyway. I already told you that Prince Martyn fancies you, as much as he can without having met you.”

“True, you did.” Mirren’s lips quirked upwards. “So if you’re helping Athair and Màthair find marriages for the rest of us, who do you have in mind for Ceana? It’s her turn now.”

Was it Ceana’s imagination, or did a hint of worry cross Onora’s face? But Onora just shook her head. “What Athair and Màthair have planned is for them to say in their own time. I’ll not spoil the anticipation—not before Mirren’s feast is over!”

“As if they won’t tell her anyway in a few days!” Mirren protested. “Surely you can tell us.”

“’Tis theirs to tell, not mine.” As they neared the keep, Onora turned towards the great doors. “I’d best see how the servants are faring. I’m sure Alasdair can only hold the crowd so long. Go mingle, and I’ll see you at the feast.”

She hurried away, her full skirts swishing around her legs. Ceana and Mirren called farewells after her, then made for the crowd gathering in front of the main doors.

As soon as they reached its edge, guests started coming forward to offer Mirren their congratulations. Ceana stood politely by her sister, smiling and occasionally nodding or responding to comments made in her direction. But her thoughts were already flown past the feast towards her own future. Tomorrow, she knew, the king and queen would come to her or call her to meet with them so they could tell her who they had in mind for her to marry, just as they’d done for all her sisters.

But who would it be? That was the thrilling question. Someone from Addewedig to the south or from the Talaschean Kingdoms to the west would be most likely—and that would put her close to either Rhona or Mey. Joining Mey in Talascheal would make sense; they had five royal families there, plus a high king, and that meant plenty of potential matches—and more opportunity for Ceana’s marriage to really mean something. Addewedig had been a strong ally to Atìrse for generations upon generations, but the Talaschean Kingdoms had only recently made a proper alliance. And surely it would be worthwhile to create ties to all five kingdoms?

With effort, Ceana pulled herself back to the present. Today they celebrated Mirren’s betrothal; she ought to focus on that. She’d have plenty of time to dream later.

Thankfully, the doors to the Great Hall of the keep opened not long after, signaling the beginning of the feast. The crowd streamed in to find their seats: Mirren in the place of honor between King Seòras and Queen Isla; the rest of the royal family, various Glassraghean representatives, and other particularly important guests arranged around the high table; and the remaining attendees at lower tables according to their rank and where they could find space. King Seòras blessed the meal, thanking Dèanadair for Mirren’s good match and the bonds of friendship forming between Atìrse and Glassraghey.

And then the servers brought forth the food! The dinner began with thick, savory vegetable and barley stew. Next to the table came every manner of fish, perfectly roasted, some in cream and some in sauce, some on beds of wilted greens and flecked with spices, and some served over crisp-edged potatoes and brushed with parsley sauce. Along with the fish came a splendid venison roast, so tender the meat practically fell off the bone at the first touch of a knife.

Ceana could have happily finished with the venison and fish—but the servants next brought forth roasted poultry: peacock for the high table and those nearest it, and duck and goose for the rest. One servant slipped Ceana a plate of duck without having to be told, and Ceana gave him a quiet thank-you in return, making a mental note to tell Onora the same later. An occasion like this demanded the fancier peacock meat, which Ceana had never much cared for, but duck prepared by Onora’s cooks was a delight, common fare or not. With the fowl were roasted vegetables and fluffy rolls still warm from the oven, their tops glistening with butter.

At last, however, only bones remained of the birds, and the servants cleared away the platters, replacing them with trays containing tarts laden with creamy custard and spiced stewed pears. Ceana could only manage one, she felt so full from the rest of the feast, and she couldn’t even touch the accompanying bowls of honeyed plums and candied nuts.

Yet when the court musicians struck up a tune and King Seòras escorted Mirren down to the floor to open the dancing, Ceana sprang to her feet and hurried down after them. She allowed Onora’s brother-in-law, Evander, to claim her hand for the first dance and set to the steps with as much energy and enthusiasm as she could muster. Failing to dance, after all, would be an insult to her family and to Glassraghey—and it would be bad luck for both her and Mirren, besides.

She stepped and spun through seven dances before her stomach and legs’ mutual protests convinced her that she had better rest a moment. So, she made her way back to the high table. King Seòras had returned to his seat as well, she noticed, and Lord Arran, along with his wife, had moved up to sit across from him.

Onora still danced, so Ceana slid into her seat beside the king without hesitation. King Seòras gave her a side-smile as she did, but Lord Arran only nodded and went on with the conversation with barely a break. “Your majesty, with all due respect, I urge you to push for better terms when the treaty with the selkies is renewed. That they should maintain such harsh sanctions over an offense that was old and half-forgotten when our great-grandparents were children is, frankly, ridiculous.”

“That we refrain from hunting seals is no great hardship, Arran, nor is paying the little they ask.” King Seòras spoke with a tone of weary patience. “We have paid more for safe use of ports in some other lands, and had less good of it.”

“Your majesty looks far too kindly on such extortion.” Lord Arran’s face was all thin, disapproving lines. “The sea belongs to no one, human or selkie, and it is madness that these seal-folk think they can claim it as their own.”

“Yet the selkies travel the same routes we use, and they have done so longer than we have. If we can claim the land as ours, I am willing to let them have the sea.” King Seòras shook his head, leaning forward with his arms resting on the table’s edge. “And I have no desire to anger them such that they start attacking our ships again.”

Lord Arran just scoffed. “Your majesty should have more confidence in your people. The selkies would find us far harder to sink than they have in the past, and I think they would soon learn to leave our ships alone.”

Ceana stifled a sigh and instead exchanged a sympathetic look with Lord Arran’s wife. Lady Eilidh’s expression suggested that she’d heard this rant too many times before. True, she almost always looked like she were trying and failing to remember what a smile felt like, and her eyes—huge and dark as the storm-tossed sea—frequently held the kind of bone-deep weariness that Ceana mostly associated with grieving mothers. But today, she seemed especially defeated.

Another day, Ceana might have invited Lady Eilidh to walk and talk with her. Though the lady spoke little, and she struggled when she did speak, she always seemed to appreciate the escape from her husband’s presence. However, today, Ceana needed to sit, so she remained where she was, listening to King Seòras and Lord Arran debate policy and treaties until she’d recovered enough to leave them again and rejoin the dancing.

The next time she looked towards the high table, Lord Arran had gone, and Queen Isla sat beside King Seòras, leaning into him, her head on his shoulder and his arm around her as if they were still young newlyweds who could be excused such things. Ceana smiled as she saw them and mentally whispered a prayer to Dèanadair asking for that same blessing for Mirren and herself. She knew her parents had met the first time only a few days before they wed, but they had been as determined then as they were now to do right for their countries, and love had sprung from that shared determination like snowdrops after the first spring thaw.

Someday, that would be her fate. Someday soon, she hoped. Now that only she among all her sisters remained unattached, it was only a matter of time.

~~~~

What did you think of that sneak peek? Are you excited to read the rest? Tell me in the comments! (And if you want to find out what happens next, make sure you go order your copy!)
Thanks for reading!

 

Friday, March 11, 2022

You Should Absolutely Read Cinderella Must Die

Good morning, everyone! So, this week's post was originally going to be about how I'd just finished reading Discworld after actual years and was going to spotlight my favorite books in the series. The one problem? I didn't finish the series this week like I thought I would. (Blame Snuff — it's a much thicker tome than I realized.) Instead, I'm going to spotlight a different book I just recently read: W.R. Gingell's latest release, Cinderella Must Die. Which, let me tell you up front, is an absolutely delightful romp of a fairy tale murder mystery. Intrigued? Good, let's go.

You Should Absolutely Read Cinderella Must Die

  1. Because Cinderella + murder mystery is the combo you never knew you needed. I mean, I'm a big fan of just about any blend of fairy tale and mystery (which should be a surprise to no one), but Cinderella as a murder mystery? With the stepsisters trying to clear their names before they can be officially accused as the murderers? It works so well, y'all. It's fabulous, and it's a very well-put-together mystery (also no surprise, since Gingell wrote a whole series of urban fantasy mysteries that are also awesome).
  2. It's the first roles-reversed/villainous retelling that's really caught my interest and carried through. Villain/hero swaps for fairytales are an interesting concept — I have ideas about writing some myself in the future. But the ones I've read so far tend to be . . . not what they could be, and the good ones aren't widely available. But Gingell handles both Cinderella-as-villain and stepsisters-as-protagonists very well and makes it convincing. Plus, it's not super dark, as I get the impression a lot of roles-reversed stories are — honestly, it's a very fun read.
  3. Jane and Charlie are an excellent sister pair. They come off as very realistic siblings — the kind who love each other have each other's back without question, but who also don't mind teasing each other. They actually remind me (in the best ways) of Azalea and Bramble from Heather Dixon's Entwined, which is awesome. They're clever and persistent and loyal and just excellent characters to spend the narrative with.
  4. The rest of the characters are also awesome. I can't list them all because spoilers, but I did very much enjoy getting to know them and seeing their interactions with the sisters. Some of them — Candace in particular — I'd rather like to see get their own spinoff. I will say that Harvey was rather annoying for a lot of the book, but, I mean, there was a reason for it.
  5. There's a very clever use of magic in here, and I can't say what it is, but I really love it. I wish I'd thought of it first. Yeah. Any other details will be spoilers, so let's leave it at the fact that Gingell did something very interesting and it makes for a better plot and some very good, well-handled themes.

Have you read Cinderella Must Die? If so, what's your favorite thing about the book? If not, do you want to read it? Please tell me in the comments!

(On a side note: W.R. Gingell just announced her next book, Castle and Key, which is a Bluebeard retelling, and — look, I am magnificently hyped. It sounds like it's going to be very much in the vein of Masque, which is the book that made me fall in love with Gingell's writing, and long story short, I am going to be so happy come July.)

Thanks for reading!

Friday, November 12, 2021

Thoughts on Curse of the Midnight King

Good morning, everyone! We are almost two weeks into November and NaNoWriMo, and I'm . . . well, behind, even considering that I'm aiming lower than 50K. But it's fine. I still have over two weeks left to fix that. Anyway, today, I'm breaking my hiatus to share about Yakira Goldsberry's Curse of the Midnight King, a dark fairy tale retelling that crosses the Twelve Dancing Princesses with Cinderella. There are preorder goodies and a few days left to claim them, for the record. You know, if you're interested.

 

Thoughts on Curse of the Midnight King

  1. Cinderella and the Twelve Dancing Princesses is a brilliant combination of fairy tales. I've never seen it before that I recall (except maybe in one of the stories that mash together all the fairy tales), and I honestly wish I'd thought of it first! Not that I would've had time to write it . . . Anyway. The two fairy tales fit together wonderfully, especially with a dash of Hades and Persephone vibes for extra flavor. The element of Faye rushing fron the above-ground ball to the below-ground one, desperately trying to keep from dragging one into the other, is just excellent.
  2. Pathos and the underword are very dark. Which, in general, is what I want it to be — the underworld in most Twelve Dancing Princesses retellings should be dark and beautiful and terrible and filled with gilded danger. This one is much more overt in how dangerous and terrible it is (as opposed to the dancing pavilion in, say, Entwined), but that makes sense since we're coming into it long after the glamour and wonder has worn off for our protagonists. Also, the element of transformation each time Faye enters Pathos's realm? Loved it.
  3. Pathos is a highly stabbable villain. He's just the worst, ok? I'm not sure if I'm supposed to be a bit sympathetic to him because he claims to care for Faye? And maybe he does a little? But it's nothing like real love, and I spent most of the book hoping Faye or someone would just stab him. On a related note, though, I do love the note of Faye being dressed in gold every time she comes  to the underworld. Like, I'm pretty sure Pathos controls that. He decides who's dressed in what color. Which means that he subconsciously recognizes that Faye is a danger to him, that she'll be his undoing. Oh storms he's literally flirting with death. I just realized that in writing this post. Dramatic, stabbable idiot. (He's not an idiot. He's actually reasonably clever, more so than I realized. But in this case . . . he kinda is an idiot.)
  4. It's simultaneously a sister-focused story and not. I recognize that sounds weird. Faye's main motivations throughout this story are her sisters and her need to save them and atone for what she feels she's gotten them into. Which is great! But she's also forbidden from speaking to them or really interacting much with them, so both the deeper sisterly relationships and the characterization of her sisters is a bit . . . lacking . . . for my tastes.
  5. I hate to say it, but I really didn't click with Faye. Not in the sense that I didn't care about what happened to her, but I didn't connect with her in the way I wanted to. She spends most of the book in such a dark headspace — for good reason! Given all she goes through, it would've been strange if her thoughts weren't shadowed. And I know there are people who will connect with her, who will see some of their own struggles in her. I'm just not one of those people.

What do you think of Curse of the Midnight King? What's your favorite take on Cinderella or the Twelve Dancing Princesses? Alternately, what's a fairy tale combination that you love and wish you'd thought of first? Please tell me in the comments!
Thanks for reading!

Tuesday, September 8, 2020

Tattered Slippers Blog Tour: Spotlight on Vicia!

 

Hello, everyone! So, the Tattered Slippers blog tour technically ended, what, a week ago? But due to some issues on the author's end, A Time of Mourning and Dancing got pushed back, and the associated blog posts got pushed back even further. Still, it's never too late to share about good books, so . . . have a character spotlight.

About . . .

A Time of Mourning and Dancing

The Floramancy Archives #1
Once, Toph knew his place in the world. As a respected captain in a victorious army, he had triumph and promotion to look forward to. But crippling injury stole his future and war stole his friend. Belonging nowhere and with nothing left to lose, Toph accepts a challenge that could end his life: discover a secret the princesses will do anything to hide.

Vicia is a princess, but powerless and in mourning. Her beloved brothers were killed in a war she’s beginning to question. Ever since, she and her eleven sisters have become mere treasure for her stepfather the king to use to barter. A chance meeting with a frightened faery gave a wild hope that they may recover what they’ve lost. But it will cost a dance—and a dangerous secret.

Soldier and princess must learn to rely on each other if they are to survive curses, slighted fae, and an enchanted lost land. Something dark and powerful lurks in the mists beyond the dance floor, conducting the steps… and time is running out.

Find it on: Amazon || Goodreads

 

Abigail Falanga

Abigail Falanga may be found in New Mexico creating magic in many ways – with fabric, food, paper, music, and especially with words! She’s loved fantasy ever since playing out epic adventures of swords, fairies, and monsters with her siblings, and loved sci-fi since her dad’s stories around the dinner table. Abigail has published nearly two dozen flash fiction stories across a variety of genres, having discovered that extra-short stories are a wonderful way to explore ideas without getting distracted by – Squirrel! But fantasy and fairytales are her first and truest loves. She's launching "The Floramancy Archives" - dark and epic fantasy reimaginings of classic tales, filled with plant-magic and portals, curses and fae.

Find her online at: Website || Goodreads || Facebook || Twitter || Instagram || Amazon 

The Tattered Slippers

The Tattered Slippers are six retellings of the Twelve Dancing Princesses fairytale, each one fantastical and magical. You don't want to miss any of them! You can learn more about the books and find the full tour schedule on the tour page.

The Tattered Slippers are the result of the 2019 Arista Challenge. The Arista Challenge is hosted by Kendra E. Ardnek; it invites fairy tale authors to come together in community as they work on unique retellings of a selected fairy tale.

Character Spotlight: Vicia

Princess Vicia—born the eldest daughter of Queen Flora and King Oliver, coregents of the kingdom of Merimor—is a beautiful woman in her late twenties, with long dark hair and forest-green eyes. Destined for leadership of her country or in alliance with another. Fiercely loving older sister, pampered and sheltered princess, intelligent and capable but often under the mask of being just another silly girl.

Vicia was given the same name as her faerie godmother, Sweetpea, but decided that the Latin form was more dignified and went with that from about the age of ten onwards. As the eldest of five full sisters, she always had a sense of responsibility and maturity.

Although the culture of Merimor and the surrounding kingdoms expects a male leader on the throne and only men go to war, Vicia was groomed from an early age to rule competently and wield a sword. After all, she has no full brothers and was therefore next in line to the throne. She was trained in all the ways of ruling a country, just as a prince would have been, and is as well-versed in swordplay and politics as she is in embroidery and music.

She is haughty and clever, sure of herself and strong, and prepared to put down prelates and princes in conversation. Sheltered by her upbringing in the palace, she has little acquainted with the ways of commoners and often looks down on those she thinks her inferiors.

But she is also kind, generous, gracious, and has strong and good principles. She may not understand the ways of ordinary folk, but she has compassion on them. And she dearly loves her sisters and is always willing to have fun with them.

Vicia has known tragedy from an early age. Her father died when she was young, and King Victor, the man her mother remarried, was often cruel. She gained brothers and sisters with the remarriage, however, and grew to love them as dearly as her own siblings. And then her mother died and her stepfather took control of Merimor, remarrying an ambitious woman named Varella whose sole aim in life is now to marry off her stepdaughters.

 It was always assumed that Vicia would marry her eldest stepbrother, Forest, and rule the country after the death of her stepfather.

Until her dear brothers were killed at the end of a long war.

Vicia does a very good job of hiding her sadness and struggles. While it appears at first that she and her sisters are thoughtlessly wearing their slippers to shreds, and heartlessly not telling why even though their secret has already cost the lives of six men, the truth is far more complicated than a simple dance. The princesses are playing a dangerous and urgently important game.

She has been overlooked and put aside her whole life, trapped by wartime politics and the expectations of her cruel stepparents. But the time has come for her to take control of the destiny of her kingdom, and herself.

~~~

Are you excited to meet Vicia? Please tell me in the comments!
Thanks for reading!

 

Saturday, August 29, 2020

Tattered Slippers Tour: THE MIDNIGHT SHOW RELEASE DAY! Feat. The Pros and Cons of Writing in the Jazz Age!

 

Hello, everyone! It's official: The Midnight Show is out in the world! I'm so excited that I get to share this book with y'all. As a reminder, if you purchase the book in paperback format today through the 31st and send a proof of purchase to sarahpennington.author(at)gmail.com, I'll send you a signed bookplate to go in the book!

(Side note: due to some technical issues — aka KDP not telling me that I needed larger bleeds on my pages until after I'd ordered two separate proof copies, what the pumpernickle — there may be a slight delay on paperback availability. They should be up by the end of today, if they aren't already. Thanks for your patience.)

Now, you know, stories don't come out of nowhere. For everything anyone ever writes, there's at least of a bit of a journey to get there. And today, I thought I'd share some of the story behind The Midnight Show in a somewhat . . . unusual . . . way. But first, a bit about the book, for those who are just getting here!

About . . .

The Midnight Show

This mystery is the case of his dreams — and her nightmares.

By day, Dayo Temitrope is a swinging singer, an up-and-coming star with a shining career ahead of her. By night, she’s . . . well, she’s not sure, but whatever she does leaves her every morning with sore feet and worn-out shoes. And after six months, she’s had enough.

Enter Bastian Dennell, a private investigator just trying to get by. When Dayo hires him to find out where she goes at night, he’s sure it’s his big break: his chance to establish himself and get the funds to pay off his family’s debt. Plus, he gets to work with his favorite singer, even if she isn’t exactly what he expected. What could be better?

But first he has to solve the case — which means navigating a tangled web of strange dreams, fair folk schemes, and show business. It will take all Bastian’s wits, along with the shining talents of Dayo herself, to figure out the truth before the curtains close for good on Dayo’s career.

A jazz-age-inspired twist on the Twelve Dancing Princesses from the author of Blood in the Snow.

Find it on: Amazon || Goodreads

The Tattered Slippers

The Tattered Slippers are six retellings of the Twelve Dancing Princesses fairytale, each one fantastical and magical. You don't want to miss any of them! You can learn more about the books and find the full tour schedule on the tour page.

The Tattered Slippers are the result of the 2019 Arista Challenge. The Arista Challenge is hosted by Kendra E. Ardnek; it invites fairy tale authors to come together in community as they work on unique retellings of a selected fairy tale.

Pros and Cons of Writing in the Jazz Age

So there I was, halfway through May, with Hadestown in my headphones, a few characters niggling at the back of my mind, and an unexpected surplus of time on my hands. The Tattered Slippers group reveal was creeping ever closer, and Kendra was keeping the Love and Memory alpha chat buzzing with cryptic comments about her excitement for the lineup and teasing me with the promise that she’d accept a late entry if I sent one in. I’d planned to sign on for the release, but Blood in the Soil (or possibly Blood in the Earth) was fighting me on every page, and I knew — had known for months — that I had no chance to whip it into shape by the release. I thought that was that.

But there were those characters — ! A private investigator with a heart of gold who tried to hide his feelings under a callously professional demeanor and a jazz singer whose sunny smiles masked an ever-growing desire to just be left alone when she was off the stage. They’d been born as alternate universe versions of major characters from another Twelve Dancing Princesses retelling, but they’d become their own people while I wasn’t looking. And they wouldn’t leave me alone! 

There was clearly nothing else for it. I had to write the story. I set a goal for myself: I’d make the most detailed outline I’d made in years, then write like mad to have the book finished by the beginning of June. It was crazy — but it was a novella, nothing more. Perhaps even a novelette. And, anyway, compared to ancient Asia, how hard could it be to write a Jazz Age-inspired story? 

Headphones on. Writing music playing. I was about to find out the answer.

Pro: The soundtrack is an absolute bop.

I’m used to hard-line definition between writing music and for-fun music. Writing music is instrumentals: Lindesey Stirling, Two Steps from Hell, Brunuhville, Brandon Fiechter, soundtracks, the works. If it’s not instrumentals, it’s Kalafina or Korean folk and the lyrics are all in a language I don’t know two words in. It’s inspiring. It’s non-distracting. It also all sounds the same after a while. 

Now? I had jazz. I had swing. I had electro-swing. It was, as I said, an absolute bop and a much-needed change of pace. However, there was also an unexpected downside . . .

Con: You will have “Swinging on a Star” and “I Found My Yellow Basket” stuck in your head for weeks solid, and nothing will dislodge them.

Despite Ella Fitzgerald's refusal to stop singing in the back of my head, though, I made good progress. I had my story well outlined, my characters profiled, my world built. I had written enough of the story that I could secure a last-minute entry into the Tattered Slippers group, and my characters were, astonishingly enough, cooperating. I’d also discovered another advantage of my chosen era.

Pro: Research is so astonishingly easy.

I’d spent the last year writing in an ancient Asia-inspired world, where getting the answer to any historically-based worldbuilding question was almost guaranteed to take significant effort wading through irrelevant search results, dubious information, and articles meant for scholars. Now? Abundant reliable information; original sources written in a language I knew; photos. It was blessedly easy. I wanted to know what kind of shoes women usually wore? When Band-Aids or an equivalent were invented? What types of appetizers or hors d'oeuvres might be served at fancy restaurants? Easy as a search and a few clicks. Of course, with such ease comes a certain danger that you might have guessed by now . . .

Con: There was too much information — so much that it was easy to get distracted.

Also known as:

Con: At one point, trying to figure out what my characters would eat for breakfast turned into a good twenty minutes researching the history of Grape-Nuts cereal . . . and then didn’t use most of what I learned.

(Fun fact: Grape-Nuts are partially responsible for the existence of the Andy Griffith show. I am not making this up and am still pretty amazed and amused by this fact. You can read about it here.)

Despite periodic research distractions, though, the writing continued to go astonishingly well. My characters were mostly cooperating, and while I did have a bit of a change of plans — enough so that I missed my June 1 deadline — it was manageable. By June 7, I had a full draft ready to send to both Kendra and betas. Also by this time, I’d developed a hearty appreciation for another benefit of my chosen era:

Pro: Finally, familiar technology!

For possibly the first time in my writing career, I could assume that many of the modern conveniences available to me would also be available to my characters. They had cars. They had telephones. They had flashlights. They had refrigerators — some of them, anyway. They had out-of-season fruit. It was magnificent. Except, of course, for one problem . . .

Con: I kept forgetting that said technology existed. 

(And that is the other reason why poor Bastian walks almost everywhere and forgets his camera that one time. I forgot he had another option. Sorry, Bastian.)

In between the end of the story were several rounds of edits, but those were actually easy compared to the madness that was editing Mechanical Heart. And now we come to today: story finished and published and available for all of y’all to read and enjoy. And the question arises: are the pros enough? Will I be back to this Jazz Age world?

Absotively. (And hopefully, you’ll come with me when I return.)

Are you excited for The Midnight Show? Do you think you would want to write a Jazz Age-inspired novel? What other time period do you think would be fun? Please tell me in the comments! And don't forget to check out the rest of the tour stops!
Thanks for reading!

August 29 Tour Stops

Dreams and Dragons: Pros and Cons of Writing in the Jazz Age
 
Five Reasons to Read:
Knitted by God's Plan
 

Interviews:

Guest Posts:
Cobonham: A Day in the Life of Dayo
Rachel Rossano's Words: A Day in the Life of Bastian
Abby's Blog: Like, But Not the Same
 
Character Spotlights:
 
Reviews:
 

Wednesday, August 26, 2020

Tattered Slippers Blog Tour: Interview with Tricia Mingerink!

 

Hello, and welcome back to the blog for Tattered Slippers day three! Today, we are welcoming into the world Poison's Dance, the third book in Tricia Mingerink's Beyond the Tales series. To celebrate, I have another author interview for y'all, but first, a little bit about the book and author.

About . . .

Poison's Dance

Beyond the Tales #3
If he falls to the lure of the curse, the dance might trap him forever.

Alex has survived his first year as high king. The new counsel has improved cooperation between the kingdoms, and peace seems achievable. When the Tuckawassee queen sends him an invitation he can’t refuse, Alex must once again face his greatest threat for the sake of peace.

Princess Tamya of Tuckawassee, along with her eleven sisters, has danced from sunset until sunrise every night of her life. It is her gift and her curse. When Queen Valinda wishes to use the power their cursed dance gives them to rule all of Tallahatchia, Tamya must decide if she will do what is right even if it betrays her own sister.

Daemyn Rand has survived a hundred years' worth of battles. All he wants to do now is safely marry his princess. Will he be forced to choose between the love of his life and the high king he has loyally served for years?

They have faced certain death before. This time, they might not make it out alive.

Don’t miss this re-envisioning of the Twelve Dancing Princesses fairy tale.

Find it on: Amazon || Goodreads

Tricia Mingerink

Tricia Mingerink is a twenty-something, book-loving, horse-riding country girl. She lives in Michigan with her family and their pack of pets. When she isn't writing, she can be found pursuing backwoods adventures across the country.

Find her online at: Website ||  Goodreads || Facebook || Twitter || Instagram || Amazon 

 

 

 

 

 

The Tattered Slippers

The Tattered Slippers are six retellings of the Twelve Dancing Princesses fairytale, each one fantastical and magical. You don't want to miss any of them! You can learn more about the books and find the full tour schedule on the tour page.

The Tattered Slippers are the result of the 2019 Arista Challenge. The Arista Challenge is hosted by Kendra E. Ardnek; it invites fairy tale authors to come together in community as they work on unique retellings of a selected fairy tale.

Interview with Tricia Mingerink

Hello, Tricia! Welcome to the blog! To start out, can you tell us a little bit about yourself? Who you are, favorite hobbies (other than writing), favorite books (outside your own), coffee or tea?

I'm Tricia Mingerink, author of The Blades of Acktar (a Christian YA kingdom adventure series) and Beyond the Tales (a fairy tale retelling series). I live in Michigan, but I love taking camping trips throughout the United States, especially anywhere that has mountains and waterfalls. Other hobbies...reading, I guess. I don't have time for other hobbies right now, lol. Some of my favorite authors are K.M. Shea, Melanie Cellier, W.R. Gingell, and J.M. Stengl, just to name a few. Coffee or Tea? Neither. I'm a Mountain Dew girl all the way.

Ooh, I didn't know you were a fellow W.R. Gingell fan! That's so cool! Where did you get the initial idea for Poison’s Dance? And were there any other sources of inspiration along the way?

I had the idea for Poison's Dance all the way back when I was writing Dagger's Sleep (book 1 in the series). I love the 12 Dancing Princesses fairy tale and knew I wanted to retell it. The various versions of the 12 DP tale provided a lot of the inspiration. Some versions have the princesses poisoning or drugging the princes and soldiers who try to figure out why they are dancing. Sometimes princes end up stuck with the princesses dancing (and the princesses marry all the princes in the end). In some versions, it is a prince who discovers why they are dancing while in other versions, it is a common soldier. I took elements from many of these versions to craft my retelling, which has both a prince and a commoner figuring out the curse and trying to avoid being poisoned/drugged.

My other main source of inspiration is all the hiking trips I have done, which have provided lots of ideas for the setting of my books. Many of the waterfalls in Beyond the Tales are based on real waterfalls in the Appalachian Mountains.

What were some of the most challenging parts of writing this book, and how did you deal with those challenges?

The most challenging part was balancing the number of characters, since there are 12 sisters that I had to keep track of and develop to various extents. I also had to make sure the nights of dancing didn't end up feeling repetitive. In my first draft, I was so afraid of the nights feeling redundant that I cut a night. It ended up throwing the natural progression of the book off, and I added it back in during edits thanks to very helpful suggestions from my dad.

Ah, I love it when family is able to help with storytelling. So, almost any retelling of the Twelve Dancing Princesses will necessarily have at least some emphasis on music and dancing. Are there any particular songs that you associate with this book?

The soundtrack to the Barbie 12 DP movie, lol. The music in the Barbie movies is surprisingly amazing, and I adore that music of that one.

I will agree with that, honestly. At this point, you’re a pretty well-established and well-respected author in the Christian indie fantasy sphere. What advice would you give to someone just starting out in this sphere?

Make sure you do your research so that you can put out a professional book inside and out. Connect with other Christian indie fantasy authors and treat those fellow authors with respect. Be prepared to do a lot of marketing. And, most importantly, pray about your writing. You're going to hit a lot of walls of exhaustion and burn out and disappointment and struggles while writing. Pray that God gives you the strength to write the words that He wants you to write for His glory. 

That sounds like very good advice. As we get to the end of the interview, let's have a more fun question: if you could spend twenty-four hours with one of your characters from Poison’s Dance, either in their world or ours, who would you pick and how would you spend it?

I would want to go hiking through Tallahatchia with Daemyn, though I would probably want Rosanna along because that would just make it awesome.

Oooh, that would be fun. Finally, now that Poison’s Dance  is out in the world, what can we expect to see from you next?
 
Up next is book 4 in the Beyond the Tales series, which is a Goose Girl/Wild Swans retelling. I also have a Bluebeard/Robin Hood retelling that will be coming out as a novella sometime in 2021, though the details are a secret yet until I have the ok to share more.    
 
That sounds awesome! I can't wait to find out more about both of those, especially the Bluebeard/Robin Hood story! Thanks for sharing with us!

And thanks to everyone for reading! So, are you excited for Poison's Dance? Please tell me in the comments! And don't forget to check out the rest of the tour stops!
Thanks for reading!

August 26 Tour Stops