Showing posts with label Mechanical Heart. Show all posts
Showing posts with label Mechanical Heart. Show all posts

Friday, November 29, 2024

Black Friday Book Sale 2024!

 

Hello, all! Happy day-after-Thanksgiving!

As per the usual, I'm here to let you know that all of my books are on sale in ebook form for just $0.99 as part of the Black Friday Book Sale! This sale runs from Black Friday (today, November 24) through Cyber Monday. In it, you'll find literally hundreds of clean and Christian indie reads from authors like Kendra E. Ardnek, Sarah Beran, H.L. Burke, Savannah Jezowski, H.S.J. Williams, myself, and many others. The sale includes free and $0.99 ebooks, as well as some special deals on print and audiobooks. I've put links below that will take you straight to my sale listings, but you can also click here to browse the whole sale.

Blood in the Snow

Mechanical Heart

Through a Shattered Glass

Bastian Dennel, PI:

The Midnight Show

Gilded in Ice

Mask of Scarlet

Daughters of Atirse

Song of the Selkies

Illusion's Reign

Have you checked out the Black Friday sale yet? Which books in it are you eyeing up? Please tell me in the comments!
Thanks for reading!

Friday, November 25, 2022

Black Friday Book Sale Alert!

 

Hey'a, everyone! I hope everyone had an excellent Thanksgiving yesterday — or, if you're outside the US of A, an excellent Thursday. I'm just popping in to remind y'all that all five of my published books — Blood in the SnowMechanical HeartThe Midnight ShowGilded in Ice, and Mask of Scarlet — are on sale for $0.99 each as part of the Perry Kirkpatrick Black Friday book sale! This sale runs from Black Friday (today, November 25) through Cyber Monday and includes literal hundreds of clean and Christian indie reads from authors like Kendra E. Ardnek, Jaye L. Knight, Tara Grayce, Jenelle Leanne Schmidt, H.L. Burke, and myself. There's free and $0.99 ebooks, plus some special deals on print and audiobooks. You can click the images below to go straight to my sale listings, or you can browse the whole sale.

 

 

 

 

Through a Shattered Glass is not included in the sale . . . but ARC requests are still open if you're a reviewer eager to give it a read, and we're still looking for people to join in the Broken Mirrors release tour. So if either of those sound appealing, make sure you sign up!

Have you checked out the Black Friday sale yet? Which books in it are you eyeing up? Please tell me in the comments!
Thanks for reading!

Friday, November 26, 2021

Books I'd Give My Characters: Black Friday Sale Edition

Hey'a, everyone! Hope y'all had an excellent Thanksgiving if you celebrated! Of course, it's now Black Friday and the start of the Christmas season — specifically, for purposes of this post, the start of the Christmas gift-shopping and gift-giving season. (Unless, of course, you're the type of person who does all your Christmas shopping way in advance.) Because of that, I thought it would be fun to think about what books I would gift to some of my characters . . . but with a twist: I'm specifically choosing books that are available in the Perry Kirkpatrick Black Friday book sale. This sale runs from Black Friday (today, November 25) through Cyber Monday and includes literal hundreds of clean and Christian indie reads from authors like Kendra E. Ardnek, Jaye L. Knight, H.S.J. Williams, and myself. There's free and $0.99 ebooks, plus some special deals on print and audiobooks. I strongly recommend checking it out; I always end up picking up some good deals for myself . . . and, of course, today, I'm also picking out some books for my own characters. Let's get back to that, shall we?


Books I'd Give My Characters: Black Friday Sale Edition

1. For Princess Grace Chambers (Mechanical Heart): the Elven Alliance books by Tara Grayce. As I've said before, Grace is one of the biggest readers out of any of my characters (at least in my published books) — she enjoys just about anything as long as it's well-written, it has good characters, and she can talk about it when she's done. So, while she'd be happy with pretty much all the books included in the sale, I'm giving her the Elven Alliance series by Tara Grayce. She'd see a lot of herself in Essie, the lead, and would certainly relate to many of the challenges the characters in the novel face. (After all, she's a princess — she's seen equivalents to some of them firsthand.) But, most importantly, Elven Alliance has a very enthusiastic (albeit small) fandom, which Grace would join with utmost pleasure.

2. For Roselle Dennel (Gilded in Ice): Moonscript by H.S.J. WilliamsAs those who've read Gilded may remember, Roselle loves stories of adventure, danger, magic, and mystery — preferably featuring adventurous-but-relatable leads, strange, faraway, and exotic locations, and plenty of character banter and relationships to get invested in. And if there's a little twist of romance or a dark-and-tortured hero (or dashingly dangerous rogue or swashbuckler), all the better. Moonscript does not check every box in that list . . . but it does check most of them. Roselle would happily spend quite some time exploring this world of elves and humans, and she'd absolutely fangirl over Errance (and Coren) as much as the rest of us do.

3. For Kona Dennel, by way of Roselle (Gilded in Ice): The Dark King's Curse by Wyn Estelle Owens. So, hear me out. Kona is not the type of person who really enjoys reading for the sake of reading. But she, like many people, enjoys being read to — and the only thing Roselle likes better than a good book is sharing that good book. So, The Dark King's Curse technically goes to both of them. Why this book? The storyworld has enough similarities to their own world that it would be almost like historical fiction for them — and both of them would enjoy the family elements of the story. Roselle would be all over Laisren and Siobhra (Laisren is the kind of dramatic she loves, and Siobhra is a cat and therefore wonderful), while Kona . . . Kona probably actually likes Fionn best, with Fiachra a close second. Their enjoyment of the story is not hindered by Bastian wandering in and out of the room, adding commentary, and making offhand predictions (though he's secretly enjoying the book as well).

4. For Zhu Baili (Blood in the Snow): The Worth of a King by Kendra E. Ardnek. Baili's a hard character to pick for; like Kona, she's less inclined to read for pleasure or for the sake of reading — her preferred way to experience a story is in the form of a play. But I think she'd like The Worth of a King. She'd probably relate well to Obsidia and Delaney (and, to a lesser extend, Adrian) and Obsidia's plight, and she'd enjoy the romantic elements of the story. I can even see her reading it together with Xiang as they curl up together for a precious bit of alone time or sharing it with her friends. (Gan enjoys the dramatic flair of the Zovordians; Chouko makes snarky comments every few pages but is secretly just as invested in Obsidia and Adrian's problems as Baili is.)

5. For Azuma (Blood in the Snow): Wrought of Silver and Ravens by E.J. Kitchens. Canonically speaking, Azuma is a poetry-lover first and foremost. But he also enjoys novels on occasion, with a preference for the complex or epic tales. So, I'm giving him Wrought of Silver and Ravens, a high fantasy take on "The Twelve Dancing Princesses." He'd probably see himself in Athdar and his situation (and Athdar's relationship with Thea), he'd like Galen as much as I do, and he'd appreciate the twists and turns of the plot quite a lot.

Have you checked out the Black Friday sale yet? Which books in it are you eyeing up, either for yourself or (in this hypothetical scenario) your own characters? Please tell me in the comments!
Thanks for reading!

Friday, October 22, 2021

On the Taleweaver's Desk Issue 2: October 2021

Hey'a, all! As you may remember, this summer, I started a new quarterly blog series, On the Taleweaver's Desk, in which I give you an idea of the "big picture" of what's going on in my corner of the writing world. And now it's time for the second installment in that series! Please be aware as you read this that I'm still figuring out what does and doesn't work in terms of information provided, so please let me know if there's anything you think could be better here. Do you want more information? Less? Are you confused by anything? I want to know! Also, if you want more information on any of the projects listed here, you can find that on my Works in Progress page!


On the Taleweaver's Desk Issue 2: October 2021

On the Desktop

These are the projects you might find open on my laptop or desk if you took a peek at it during a normal day. They're currently in progress and at the top of the priority chart.

Bastian Dennel, PI #3

What is it? Exactly what it says on the tin.

Status: Vibrating eagerly in the back of my head and occasionally launching itself against to the walls yelling "Write me!" About to be started.

Technically this should probably go in "Awaiting Delivery," but given that I have a good idea of most of the plot and intend to start writing this as soon as I have time in which to do so, I'm putting it here. I was planning to put my third Bastian Dennel book on hold for a bit so I could focus on Blood in the Earth, but then someone (not naming names, but she knows who she is) gave me an idea that wouldn't let me go. And since an idea like that is what started the series and this one seems like it'll be really fun to write, I can't just ignore it.

D&D Campaign: Defenders of Serys

What is it? Defenders of Serys is the homebrew D&D campaign that I run for my D&D group.

Status: Finishing up the first module of Season 4.

I didn't get as much writing on this done in August/September/October as I intended, unfortunately. On the upside, it took us longer to finish Season 3 than I thought it would, and I almost have the first module done. Plus, one of my players and I ended up discussing backstory stuff because of a feat she took when the group leveled up, and, well, now I have another module/story arc planned for the next season. It's going to be great. I just need to finish writing the one I'm on . . . and I need to do that soon, since we start regular sessions again in a couple weeks.

Stacked on the Side

These are the stories that I'm not actively working on (at least not officially), but I'm keeping close at hand because I plan to get back to them soon (or I just work on them sporadically as the urge takes me).

Blood in the Earth

What is it? Blood in the Earth is the sequel to Blood in the Snow and a retelling of the Twelve Dancing Princesses crossed with the myth of Hades and Persephone.

Status: First draft finished; awaiting revisions. Despite my earlier hopes, I probably will not get back to this story this year.

Once Upon a Dream

What is it? A light steampunk (or gaslamp fantasy?) Sleeping Beauty retelling; the predecessor to The Midnight Show

Status: Edited several times over. Awaiting another round of rewrites/expansion/edits.

Shelved for Now

These are stories that are also on hold, but which I don't have specific plans to work on very soon. They're still within easy reach should I decide to return to them, but they aren't a top priority.

Dust of Silver

What is it? Classic-ish fantasy retelling of the Twelve Dancing Princesses crossed with Rapunzel, the first book in what has the potential to be a rather long series. Also, a rewrite of a book I wrote years ago that won't let go of me because CHARACTERS.

Status: Several chapters into the rewrite, though those several chapters haven't been touched in a few years. I swear I'll get back to this . . .

Between Two Worlds

What is it? A portal fantasy adventure about what happens when you come home from the adventure, only to discover that the adventure isn't quite as done with you as you thought.

Status: Awaiting another round of edits/rewrites while I write other things and daydream about its sequels.

The Way of the Pen

What is it? Self-aware fantasy adventure about a girl and her author.

Status: The first draft is sitting on my shelf, patiently waiting for its turn back in the spotlight, as it has been for some time.

Berstru Tales series

What is it? A classic epic fantasy series and the longest-running series I've worked on (either in the number of books written or in how long I've worked on it.

Status: Needs to be rewritten from the ground up, but the bones are good. I did come up with more new and exciting ways to make the characters' lives interesting, so . . . there's that?

A Tower of Portals Campaign

What is it? A second D&D campaign inspired by one of my favorite video games.

Status: On hold; worked on as I come up with new ideas and have time.

Awaiting Delivery

These are the stories that are on their way, but haven't quite arrived yet to the point where I can write them: ideas I'm toying with but haven't even started to draft because they're still too nebulous.

Super Secret Mystery Project

What is it? You don't know. It's a mystery.

Status: Idea that technically popped into my head a few weeks ago but is born out of a sort-of idea that I've had for a few years, and due to certain elements it contains, it's been pushed up the list in terms of priority.

Novellas from the world of Blood in the Snow

What are they? Currently, three and a half ideas for spinoffs, most of which are also fairy tale retellings: one Puss in Boots (no, really), one Orpheus and Eurydice (probably crossed with a similar Japanese myth, Izanagi and Izanami), one Snow Queen (that's the half an idea), and one that's not currently a fairy tale retelling but would be about Gan and Azuma before they were animal-keepers at the emperor's palace (inspired the summer I spent watching a lot of Hogan's Heroes.

Status: Won't be written until after I edit Blood in the Earth. And the half-an-idea Snow Queen, which had the best chance of being written before then, has been . . . supplanted. Of the others, I have rough ideas of scenes in two of them, and a general concept for the last.

Unnamed Fantasy Murder Mystery

What is it? Exactly what the headline says. A prominent noble is murdered; his adoptive daughter is poised to inherit his lands and position — but some are saying her hand was behind his death.

Status: Still just an idea. Still not going to be tackled until after Blood in the Earth.

Mechanical Heart Sequel

What is it? Exactly what the title says.

Status: Still half-formed. I do have a specific fairy tale in mind that I'd be retelling, though.

Worldhoppers Inc./Mythology D&D Campaign

What is it? Yet another homebrew D&D campaign. Or two. Technically it's two possible themes for series of connected one-shots and short-term adventures, with a few adventure ideas for each theme and a chance that I'll just try to combine them.

Status: Probably not going to work on this until I have a lot of spare time, need a new campaign for my D&D group, or have reason to prioritize the Welsh myth adventure.

I think that pretty well covers how things currently stand with me and my writing! Was this interesting or helpful? Are there any ways I could make it more interesting or more easy to follow or just better in general? (Saying "write all the stories" doesn't count.) Do you have thoughts on any of the stories? What projects are you currently working on?
Thanks for reading!

Friday, July 23, 2021

On the Taleweaver's Desk Issue 1: July 202

Hello, hello, hello! So, for a while now I've been meaning to start a new regular blog series, one that would orient readers both old and new to the "big picture" of what's going on in the world of what's-Sarah-writing-now. My daily and weekly writing goals (posted on Facebook and Instagram), I think, do a pretty good job of showing what's going on right now, and, of course, my Doings! posts include monthly progress updates. But I also want y'all to know how those daily and monthly updates fit together in the long term, which is the gap I hope this series — On the Taleweaver's Desk — will fill.


On the Taleweaver's Desk will cover four categories of projects, which I'll explain once I get into them, and will include both projects-for-hopeful-publication and side projects that are just for me and my friends (aka D&D campaigns, because I like talking about them, they're important to me, and they do take up a decent percentage of my writing time at this point). It'll go up four times a year; I'm thinking a month into each season. (So, July, October, January, and April.) It'll be posted on Light and Shadows, Dreams and Dragons, and my author site, so you'll see it no matter where you follow me.

And now, with those words of explanation out of the way, let's get on with the actual post!

On the Taleweaver's Desk Issue 1: July 2021

On the Desktop

These are the projects you might find open on my laptop or desk if you took a peek at it during a normal day. They're currently in progress and at the top of the priority chart.

Gilded in Ice (Bastian Dennel, PI #2)

What is it? Gilded in Ice is my next upcoming book and the sequel to The Midnight Show. It's a mystery retelling of "Snow White and Rose Red" and "East of the Sun, West of the Moon."

Status: Waiting for beta feedback, working on preliminary formatting

Not a lot has changed with this project since my last Doings! post. I've started to get a little bit of feedback from some of my betas, which means I can begin thinking about what needs to be adjusted in edits. The paperback cover is about 90% done (I just need to adjust the spine width), and the actual content formatting is . . . well, I haven't started that yet. But, since a lot of it will carry over from The Midnight Show, it technically isn't completely yet-to-begin.

D&D Campaign: Defenders of Serys

What is it? Defenders of Serys is the homebrew D&D campaign that I run for my D&D group.

Status: Writing Season 4 and thinking of what to do during our break.

As a word of explanation, since this campaign started during our senior year of college, I set it up to run more like a TV show than your average D&D campaign, with linked one-shots and breaks every so often for me to take a break from DMing and get ahead on writing the adventures (thus the term "Seasons"). While we've shifted from the linked one-shots to a more traditional campaign format, we still take breaks every so often, and we're coming up on one now. I've written all I need to get us to that break, and I've started prepping the first adventures for when the break ends. I have three in mind, and I'm very excited about ALL of them.

Stacked on the Side

These are the stories that I'm not actively working on (at least not officially), but I'm keeping close at hand because I plan to get back to them soon (or I just work on them sporadically as the urge takes me).

Blood in the Earth

What is it? Blood in the Earth is the sequel to Blood in the Snow and a retelling of the Twelve Dancing Princesses crossed with the myth of Hades and Persephone.

Status: First draft finished; awaiting revisions.

I finished the first draft of Blood in the Earth last October, right before I started writing Gilded in Ice. It's a mess, but there's a lot of good bones in it . . . it's just that the bones are, currently, the narrative equivalent of a Brontosaurus: mostly the right pieces, arranged in the wrong way to create an incorrect story. I'd like to start edits on it sometime this year if things work out.

Once Upon a Dream

What is it? A light steampunk (or gaslamp fantasy?) Sleeping Beauty retelling; the predecessor to The Midnight Show

Status: Edited several times over. Awaiting another round of rewrites/expansion/edits.

Once Upon a Dream was the novella I wrote, oh, some years back for the Five Magic Spindles Rooglewood Press collection. Like Blood in the Snow, it was a finalist in the competition, but it didn't make it into the actual collection. I've been meaning to polish it up and expand some of the parts of the story so I can publish it for a while now, especially since The Midnight Show and Gilded in Ice are set in the same world (albeit several decades later). That said, it's not a top priority, especially since I'd like to get at least a few more Bastian Dennel, PI mysteries written and published before I jump back in time.

A Tower of Portals Campaign

What is it? A second D&D campaign inspired by one of my favorite video games.

Status: On hold; worked on when I have new ideas.

This is a side project that I worked on for a few months in 2020, but which I set aside once I started running up against deadlines on other projects. It's very different from any of the other writing I do, and the format of the campaign and the need to adapt certain elements from the inspirational material to D&D 5e in a way that's interesting and fun and isn't just a carbon copy of the original makes it an interesting challenge. I'm not actively working on it, but when I have time and come up with ideas for a new section, I'm prepared to pull it out and write more.

Shelved for Now

These are stories that are also on hold, but which I don't have specific plans to work on very soon. They're still within easy reach should I decide to return to them, but they aren't a top priority.

Dust of Silver

What is it? Classic-ish fantasy retelling of the Twelve Dancing Princesses crossed with Rapunzel, the first book in what has the potential to be a rather long series. Also, a rewrite of a book I wrote years ago that won't let go of me because CHARACTERS.

Status: Several chapters into the rewrite.

So, yeah. I started rewriting this for the Golden Braids Arista Challenge, about two or three years ago. I didn't finish rewriting it because I decided to rewrite Mechanical Heart instead . . . I think because I thought it would be less work, or at least easier to finish on time? I'm not sure. I want to get back to it eventually because I want to eventually write the whole series and do all the characters and relationships the justice they deserve. (This is one of the most romance-heavy series I have, which . . . is still not saying a lot, to be honest. And most of the couples don't really show up until the sequel. But two of them get their start here, and I'm very excited about them.)

Between Two Worlds

What is it? A portal fantasy adventure about what happens when you come home from the adventure, only to discover that the adventure isn't quite as done with you as you thought.

Status: The first draft has been done for some time; the second version should probably just be restarted at this point.

This story sits near and dear to my heart, and I am going to finish it and publish it if it kills me. (It won't kill me. Unless I die of self-inflicted feels because there is so much pining in this book.) However, since it's not a fairy tale retelling or a D&D campaign, it hasn't fit nicely into my writing schedule since I started publishing things. That's ok, though, since this book gets into the multiverse of my storyworlds more than anything else on this list, and I really should have the workings of said multiverse figured out before I start doing more stuff with it. On the upside, I think rewriting it will take less work than some of the other projects on this list when it does move up the priority chart.

The Way of the Pen

What is it? Self-aware fantasy adventure about a girl and her author.

Status: The first draft is sitting on my shelf, patiently waiting for its turn back in the spotlight.

I wrote this around the same time as Between Two Worlds — I think Between Two Worlds came first, though I could be wrong. Anyway, they've both been sitting on the shelf for a while. Again, I love this story, and I want to go back to it, and I think it could be rewritten with less effort than some other things on this list, but it hasn't fit neatly into my writing schedule. Quite frankly, Rinna would probably be very happy if I just moved on and continued to leave her alone, but the whole story is about her dealing with being in a story, so I'd hate to waste all that character development. This is also one of the few books that still doesn't fit in the multiverse as a whole (or if it does fit, it does so in a different way), so it's my best candidate if I decide to submit something to small-press or traditional publishing.

Berstru Tales series

What is it? A classic epic fantasy series and the longest-running series I've worked on (either in the number of books written or in how long I've worked on it.

Status: Needs to be rewritten from the ground up, but the bones are good.

Some people might question why this is even on the list. I started writing it almost ten years ago at this point, and it shows in the storyline. But, as I said, the bones are good, and the characters are good (though some of their ages will need adjusting), and — look. The Way of Kings originated from the first character Brandon Sanderson ever wrote. The character and the story around that character changed and grew a lot before it became the story we know today, but I'm calling that proof that I shouldn't give up on Berstru just because I wrote it so long ago. It's going to take a lot of work when I do go back to it; like I said, it needs as dramatic a rewrite as Mechanical Heart did. When I go back to it, it'll probably be a project that I do primarily for myself (and to set up some other elements of the multiverse) more than something I write because I know a lot of my readers will be super into it. But I'm not letting go of it — not when I find myself thinking about it on a weekly, even daily basis at times.

Awaiting Delivery

These are the stories that are on their way, but haven't quite arrived yet to the point where I can write them: ideas I'm toying with but haven't even started to draft because they're still too nebulous.

Novellas from the world of Blood in the Snow

What are they? Currently, three and a half ideas for spinoffs, most of which are also fairy tale retellings: one Puss in Boots (no, really), one Orpheus and Eurydice (probably crossed with a similar Japanese myth, Izanagi and Izanami), one Snow Queen (that's the half an idea), and one that's not currently a fairy tale retelling but would be about Gan and Azuma before they were animal-keepers at the emperor's palace.

Status: Well, one is, as I said, only half an idea. Of the others, I have rough ideas of scenes in two of them, and a general concept for the last.

I'm not sure what else there is to say about any of these? I think they'd be fun, but the actual sequel takes precedence. Also, of the two I'm most excited about, one (the Orpheus and Eurydice one) doesn't even take place until after said sequel, and the other (the Gan one) would, I think, be best read after the sequel as well.

Mechanical Heart Sequel

What is it? Exactly what the title says.

Status: Half-formed ideas that have yet to coalesce into anything actionable.

I will be frank: writing a sequel to Mechanical Heart is not a priority right now. It ranks above some of the Shelved for Now projects, but not above all of them. Why? As things stand, it works well as a standalone, better than anything else I've published thus far. Also, Mechanical Heart was hard to write even though I loved the story, so I don't want to start a sequel until I have a well-formed idea that I'm really excited about. I apologize to anyone who's disappointed. (Don't worry, I doubt I'll be able to stay away forever. I never can.)

Unnamed Fantasy Murder Mystery

What is it? Exactly what the headline says. A prominent noble is murdered; his adoptive daughter is poised to inherit his lands and position — but some are saying her hand was behind his death.

Status: A growing, but often-shifting idea.

I've had this in mind to write for a while — since before Cedarville, in fact. I've mentioned it in a few posts, though none are recent. But until recently, I haven't had the courage to try my hand at writing a true mystery, let alone one that would be so heavy on politics and so light in magic. That's probably good, since that gave this story enough time that I think it's stronger now than it would've been if I'd written it when I first imagined it. Still, I don't think I'm going to tackle this until Blood in the Earth is done.

Worldhoppers Inc./Mythology D&D Campaign

What is it? Yet another homebrew D&D campaign. Or two. Technically it's two possible themes for series of connected one-shots and short-term adventures, with a few adventure ideas for each theme and a chance that I'll just try to combine them.

Technically it's two separate ideas that I might combine into one. Idea one focuses on Worldhoppers, Inc., an organization that takes care of your magical, strange, and paranormal problems . . . for a price. Idea two is more of a series of one-shots and short-term adventures based around fairy tales, folktales, and myths. If I combine them, Worldhoppers, Inc. becomes a more noble organization whose agents maintain the storyline in both fandom worlds and folktales.

Status: Mixed?

So, these ideas came from a few places — a realization that a particular Welsh myth would make a pretty good D&D adventure (though it wouldn't fit into my current campaign), players in my current campaign commenting on how fun it could be for their characters to end up in different fandom worlds, a few songs that gave me concepts for adventures, and so on. Eventually it settled into two ideas — Worldhoppers, Inc. (think adventuring guild, but in multiple dimensions!) and the mythology campaign (in which storylines would be pulled from myths, folktales, and fairytales) — which might be combined into one concept (an organization that deals with magical problems throughout realms while making sure the "storyline" of each world isn't interrupted). A few of these adventures, I'd like to write so I could have them on hand if I'm asked to run a one-shot or a mini-campaign. But, like many things on this list, I haven't had the time yet, especially since I prioritize novels over D&D writing.

All right! Hopefully that was interesting. I recognize that it was a lot of information; in future posts in this series, I hope that the status of most of the non-active projects will be much shorter. (I also hope to use some of this post to update my Novels page on this blog so I can point people there for more information.) But I think writing all this down was helpful for me, and I'd like to think it was helpful for some of y'all to read.

Is there any story or project in this list that you're especially excited for me to write? What are your current projects that you're working on? Please tell me in the comments!
Thanks for reading!

Friday, August 7, 2020

Things I Want to See More In Steampunk (Plus: Mechanical Heart Book Birthday!)

Hey'a, everyone! So, in a turn of events that I didn't actually realize until yesterday (mostly due to preparations for The Midnight Show's release), today marks the one-year anniversary of Mechanical Heart's publication! As I did for Blood in the Snow, I'm putting the ebook version up for free from today until the ninth — and, yes, I made sure I set the promotion on the right book this time. If you haven't read Mechanical Heart, or if you just don't have the ebook, I invite you to go pick it up and check it out!

Much as I love the steampunk genre, there are some things that I think could be done better and some things that I think authors haven't explored as much as they could or should. And since most of the main characters of Mechanical Heart are all about finding things that could be done better or explored more, I thought that I'd use today's post to spotlight some of those things.


Things I Want to See More in Steampunk

  1. Non-European locations. A lot of steampunk — I'd even say most steampunk — takes place in some kind of modified Europe, usually the United Kingdom, usually London. But focusing everything on one continent, one country, one city, limits things way more than it should. Why not expand? Steampunk is all about exploration, after all. What does it look like in a modified India, China, or Australia? Plus, the steampunk age overlaps nicely with America's Wild West era — why don't we see more books taking advantage of that? After all, the one book I know of that does (Shannon Hale's Calamity Jack) is pretty awesome. Let's get some more of that going on.
  2. Non-Earth locations. While we're expanding and exploring, why not take a page out of Jim Butcher's book and leave Earth behind altogether? Steampunk is most commonly thought of as a historical fantasy or historical sci-fi crossover genre, but there's no reason it has to be. What might steampunk look like in other worlds or other planets? Or if you're really set on having some Earth influence here, well, steampunk portal fantasy might not be a thing yet, but that doesn't mean it shouldn't be.
  3. More actual adventures. I don't know if this one makes sense to anyone else, but: a lot of steampunk is very focused on political and social intrigue and spying and secrets and so forth. Which is great! I love that! But I do think there are other stories to be told, and I think that you can have proper adventures within the steampunk genre. I mean, Jim Butcher did it in The Aeronaut's Windlass. Heather Dixon more or less did it in Illusionarium. Brandon Sanderson did it in his second Mistborn trilogy, especially The Bands of Mourning. So other people should be able to do it in other stories. This one could possibly also be translated as "You keep telling me there are airships, but no one ever goes anywhere or does anything in them. Fix that." (Actually, it might already be fixed, but if it is, tell me where the books are, please and thank you very much.)
  4. Speaking of Jim Butcher and airships: more stories that properly take advantage of the existence of airships. Otherwise known as: more airship pirates, airship captains, and airship battles, please and thank you very much. Again, for all that steampunk keeps insisting on airships, I have found very few books that actually capitalize on the potential that you have with airships. That goes double for airship pirates. And, look. Maybe this is somewhat influenced by the fact that I've been binge-reading Schlock Mercenary in my spare time (and some not-so-spare time), and it's definitely influenced by the fact that The Aeronaut's Windlass is one of my favorite steampunk books ever, but please give me more books in which well-written, daring airship battles legitimately can be and are a thing. (Seriously. Please.)
  5. And on that note, more stories that really lean into the science part of steampunk's sci-fi origins. By which I mean, stories where the science and gadgets of the steampunk world are more than just set dressing. I'm looking for stories where the main characters are actually involved and interested in the innovation of the world and where the science is a major part of the plot. And, yes, I know some of these already exist — Mechanical Heart is, in many respects, one of them — but I don't think I've found nearly enough of them.

What do you want to see more of in steampunk? Any recommendations of steampunk books that fill some of these holes? Please tell me in the comments! And don't forget to pick up your free e-copy of Mechanical Heart, if you haven't already!
Thanks for reading!
-Sarah (Leilani Sunblade)

Friday, January 24, 2020

If Baili Met Breen (And Related Potentialities)

So, the other day, I was contemplating the fact that I write an awful lot of multilingual characters for someone who's solidly monolingual. (I really do, if you haven't noticed. I have more multilingual characters than monolingual ones.) And that started my thoughts down another trail: what would happen if the main characters of Blood in the Snow and Mechanical Heart met? Who would get along well? Who would fight? Granted, it's not something that's likely to happen (given the current lack of the appropriate magical and technological knowledge on both ends), but if it did . . . and if they somehow could understand one another despite different languages and deafness and whatnot . . . Well, I had such fun imagining the possibilities that I just had to share.
 

If Baili Met Breen (And Related Potentialities)

  1. Baili and Josiah bond surprisingly quickly over their similar roles in their stories/worlds. It's not, like, instant friendship, but Josiah's good at drawing people out, and he and Baili quickly find their common ground (they're both royalty, both working for the rights and benefits of a lower class, both dealing with court life and all that comes with it). They share stories, which turns into sharing strategies, which turns into an all-out "ideal society, what's it look like" discussion. They also compare notes on people trying to kill them, 'cause that's also a shared experience. Meanwhile, Chouko and Luis also bond pretty quickly over their shared roles as reason-speakers to idealistically heroic royalty.
  2. Xiang kind of geeks out a bit over Breen and Luis's inventions. Fun fact that comes up a little in Blood in the Snow and a lot in Blood in the Earth/Soil: the Liu dynasty is known for being particularly interested in scholarship and study of the world, and Xiang is no exception. And while his primary interests are medicine and magic, not engineering and invention, he still finds Luis and Breen's work really storming cool. Breen doesn't entirely know what to do with his particular brand of enthusiasm, but Luis quite enjoys getting to show off a bit. (Xiang also pulls Baili over to see the inventions that he finds most interesting; Baili is also very impressed but not as excited.)
  3. Regardless of what communication-enablers are put in place, Gan and Baili both get Grace, Josiah, and Breen to teach them some sign. It's actually Gan, not Baili, who makes the request, but Baili joins in as soon as she realizes what's going on. They both pick it up reasonably well for the amount of time they have, but Gan is both better at it and more into it than Baili is. (This is partially because Gan's attitude is "I can think of five different ways to use this, also, languages are interesting," while Baili's attitude is "This is reasonably interesting and a fun bonding experience!")
  4. Because it's in the title and must, therefore, be mentioned: Baili and Breen get along, but definitely are not instant best-buddies or even instant friends. They both respect each other and what the other has had to go through and is now trying to accomplish, but neither one leaves their encounter thinking "Ah, yes, I would go out of my way to spend time with this person again at a later point." And they're both honestly pretty ok with that. Baili, as has already been mentioned, prefers spending time with Josiah (and also Grace), and Breen finds Chouko, Azuma, and Gan a bit easier to deal with.
  5. Josiah, Breen, Baili, and Xiang are all rather concerned (to varying degrees) about the potential implications of Bloodgifts and blood alchemy if combined. The first time Bloodgifts come up, Josiah and Breen actually freak out a little (in the sense of "Wait, blood-based magic, we thought these were ok people, not blood alchemists . . . oh, wait, it's not blood alchemy, it's actually ok, no one is dying over this, we're fine"). And the first time blood alchemy comes up, the topic doesn't go very far before Xiang starts wondering (out loud) what would happen if the blood alchemists got their hands on the blood of someone like him or Baili, and should they possibly move to a more secure location with more guards (not that he and Baili couldn't protect themselves, of course, and not that they don't trust their friends to also protect them, but he has almost lost Baili once and he would rather not have it happen again). Everyone ends up fine in the end, of course, but it still causes some stress on both sides.
What about you? If you've read both Mechanical Heart and Blood in the Snow, what are some other interactions you think might occur if the casts of the two were to meet? Alternately, how do you think the cast of either Mechanical Heart or Blood in the Snow (or both) might interact with the cast of your WIP? Please tell me in the comments!
Thanks for reading!
-Sarah (Leilani Sunblade) 

Tuesday, December 31, 2019

New Year's Dream [A Mechanical Heart Short Story]

So, I originally wasn't going to do a New Year's short story this year, but then I had this idea, and, well, things happened. This takes place the winter before Mechanical Heart, so no worries about spoilers. That said, you might want to hop back and read "New Year, New World," last year's New Year's story.

New Year's Dream: A New Year's Short Story

It was supposed to be a quiet night. A peaceful one, even, if such a thing could be had on Crossings Night. Luis had been planning it for weeks. His family would be out at various celebrations. Josiah, of course, was busy with the royal Crossings Night ball, with its rich food and wine and lavish costumes and four — four — different sets of musicians to rotate in and out so the dancing wouldn't stop until the dancers grew tired. And that left Luis to welcome the coming year in the best possible way: alone, in his workshop, with an abundance of projects to tinker on and the remains of the eggnog to help the process along.

Of course, it couldn't last.

Luis's first warning that something odd was afoot came when every miazen crystal in his workshop sudden blazed with brilliant white light, nearly blinding him. His next was the sight of two people in colorful robes who dashed out of thin air and ran smack into his workbench.

"What in blazes —?" Luis leapt to his feet and cast about for the nearest weapon. He grabbed his largest screwdriver and a small knife, feeling keenly the inadequacy of either.

The two didn't seem to notice him. One — a young woman with dark skin and a wild mass of black curls — recovered first. She straightened and spun around, bright green robes swirling around her, and made a series of sharp slashing motions through the air in front of her. Sign language, like Josiah's sister used? But there was no one there for her to be signing to . . .

Something else began to appear, faint and shimmering. Luis could make out the hint of a huge, dark form, gleaming . . . teeth? Or perhaps claws? Yes, claws; they were becoming more and more real at a quicker rate than the rest of the being.

The other person, a man with severely mussed dark hair and a bruised face, pushed himself to his feet. "Shut it! Quick!"

"Patience. I'm working." The girl made a final slashing motion. The claws became suddenly solid and dropped to the floor, leaking blood. The rest of the being disappeared. "See? We're fine."

I have to be dreaming. Luis took several deep breaths, trying to calm himself. Either that or finishing off the last of the eggnog at dinner had been a severe mistake. "What just happened? Who are you, and what are you doing in my workshop?"

The woman turned around, pushing her curls back from her face. Her eyebrows rose slightly when she saw Luis, and then she gave him a lazy smile. "Sorry 'bout that. It's nothing for you to worry about. I'm Carrie, and this is Tamison. Who're you?"

Her accent sounded like caramel tasted: rich and warm, with more than a little stretch in the vowels. Luis blinked, then took Carrie's hand and shook it. "Luis Kronos. I think that if you're barging into my workroom, it's something I have a right to worry about."

"We're just passing through." Carrie smiled like she was enjoying her own private joke, while Tamison groaned. "Mind telling us where we are? Then we'll leave you to your . . ." She looked around. "Your whatever this is."

"Kronos Clocks and Gadgetry. This is the back workroom." Luis paused, noted the lack of recognition on either face, then added, "Upper Rivenford? Chania?"

"Chania?" Tamison's face grew red as the trim on his robes. He turned on his companion. "You used the wrong coordinates! Now we're not just in the wrong world; we're in the wrong dimensional orientation!"

Carrie blew out a long breath and put her hands on her hips. "I wouldn't've used the wrong coordinates if you'd've just gone on and told me the right ones the first time I asked instead of going on about secrecy and the will of the Wizard Council."

Tamison drew himself up proudly, offense written clear as newsprint across his anger-blotched face. "I was following orders!"

Luis held up a hand, his mind finally having caught up from where it had stuck a few moments ago. "Wait. Wait. The wrong world?" He blinked twice, then dropped his screwdriver, reached up, and started flipping through magnifications on his work goggles, hoping that somewhere in the transitory blurs between lenses, the two would disappear or at least resolve into something more reasonable, like a few friends playing a joke on him.

But the pair remained present, as they were, and the massive claws continued to slowly leak blood onto the wood floor. Luis pulled off his goggles and shook his head. "You're mad. Or I'm mad. Or dreaming."

"Dreaming, yeah. We can call it that." Carrie gave him another slow smile. "And in a moment, you'll wake up and we'll be gone." She gestured in the air again, her motions slow and swooping this time. Then she paused, frowning. "Or perhaps not."

Tamison frowned too. "It's not working. That's odd. There's more than enough ambient magic to power a short-lived portal, even one going between perpendiculars instead of parallels . . . wait." He turned to Luis. "What day is it?"

"It's Crossings Night, the last night of the year," Luis replied slowly. The fact that Carrie had agreed that this was all a dream suggested that it really wasn't a dream at all, but he didn't have a better explanation  . . . not unless all this was real. "What do you mean, between perpendiculars?"

"You've heard of parallel dimensions?" Tamison asked. "They're like that, but oriented differently. It's complicated." He turned back to Carrie. "We must be losing alignment!" Then, over his shoulder to Luis: "Quick, what's the time?"

Luis gave the man his best unimpressed look and gestured around the workshop at the dozens of clocks hung on the walls between shelves and toolboards. "Look for yourself."

Tamison glanced around and sagged slightly. "Ah. Yes. It's . . . oh, dragonsbreath. It's only half an hour to midnight. And by midnight, the alignment will be lost and we'll be stuck here and in this world's parallels for who-knows-how-many years, thanks to someone's haphazard portaling."

"Someone just saved your skinny rear from a mad sorcerer and his hoard of crazed werecats," Carrie huffed. "Where's the most likely spot to be aligned still?"

"Ah, well . . ." Tamison licked his lips nervously. "Usually it's a south-to-north progression . . . and high spots usually have the strongest connection between dimensions . . . moreso if they have a strong concentration of magical energy . . ."

"North, up high, lots of magical energy." Carrie turned to Luis. "What do you say, Luis Kronos? You know this city. Anywhere that fits the description?"

"Well . . ." Luis hesitated. "There is one place . . ."

But could he risk sending them there? After all, no one was supposed to enter the clock tower lest they risk draining the magic from the miazen crystals at an increased rate. But, then again, if these two were already magic, perhaps it would be all right.

"There's a clock tower," he said, finally. "It's north of us, and it's one of the highest spots in the city, and it's powered by magic."

"Perfect." Carrie's smile returned. "Care to show us the way?"

Again, Luis hesitated. It would be so much easier to stay in, to stick to what was left of his plan and hide out in his workshop. He imagined the crowds and lights and noise outside and grimaced.
But . . . if this was a dream, he wouldn't really be going out. And if it wasn't a dream, he couldn't leave these two in the lurch. True, he could give them directions, but it would be faster to just show them.

"Fine." He pulled his goggles back up. "It's a good thing for you that it's Crossings Night. You'll blend in better since everyone is already costumed. You'll need masks, though."

"That's easy enough to solve." Tamison gestured, and something shifted. Luis blinked. Masks had appeared on the two's faces: a small black domino mask on on Tamison and a larger, more elaborate green mask on Carrie. In addition, their robes had somehow changed so they looked more like costumes and less like clothes. A white shirt collar poked up from the top of Tamison's robe, and the front now hung open to reveal a waistcoat and trousers. Carrie's robes had become more fitted in the bodice, and the shape suggested that she was now wearing a corset and a full skirt beneath them. In addition, a tall, pointed hat with a bit of filmy pink fabric attached to the tip had appeared on Carrie's head, nestled among her curls.

Carrie looked down at herself and sighed wearily. "Lovely." She looked at Luis. "Won't you need a mask too?"

Luis tapped his goggles. "These will do well enough. Now, let's go."

He led the way out of the shop, locking it behind them, and up the crowded streets. Even at nearly midnight, musicians and dancers still made their rounds, tailed by crowds of masked revelers dressed in dramatic blacks or brilliant rainbow hues. Their laughter and shouts mixed with the music into a joyful, chaotic cacophony. Luis grimaced, remembering all too keenly the reasons he hadn't wanted to come out tonight, and sped up.

He guided Tamison and Carrie as quickly as he could up towards the clock tower. Occasionally, some of Luis's friends or acquaintances would call out to him, inviting him and his companions to join them or pretending offense at the fact that Luis had rejected them in favor of a pair of strangers. Luis just waved and hurried on.

Thankfully, the crowds thinned as they moved further and further into the wealthy part of town. Here, the celebrations were mostly held in shops and homes. Luis caught glimpses of a few through windows, though he mostly didn't look, even when they passed the Clockmakers' Guild Hall where Luis knew his parents would be celebrating.

By the time they reached the clock tower, less than ten minutes remained 'til midnight. Luis tried the door. "It's locked." He checked his pockets — nothing. "And I don't have my locksmith's tools."
Tamison peered at the lock. "And it looks to be steel and iron. Unpleasantly resistant to magical meddling."

Carrie put a hand on the side of the tower. "That's a pity. This place is just bursting with ambient magic." She straightened her shoulders. "We'll just have to try from here. Unless . . ." She eyed the roof of the tower with a speculative gaze.

The color slowly drained from Tamison's face. "Oh no. You wouldn't . . ."

Carrie smiled — sharply, even wickedly. "Of course not. You're welcome to stay here. I'm sure you'll find this world plenty enjoyable while you're waiting for the dimensions to align in a safer location."
"Don't even think about it." Tamison scowled. "Fine. We'll try it your way."

"I thought you'd come around." Carrie turned to Luis and put a hand on his arm. "Thanks for your help. Whatever happens, we appreciate it. Assuming we don't fall, we probably won't see us again, and I'll make sure you don't remember us except as a dream like you thought we were. It'll be safer that way — less risk that someone will try to get information from your memories and hurt you in the process. But if you don't mind, wait around until we're gone to make sure we don't fall and die."




"I will. Glad I could help. Good luck, wherever you're headed." Luis glanced from Carrie to the tower roof. "What exactly are you doing, by the way?"


"This." Carrie grabbed Tamison's arm. Then both lifted off the ground and rose higher and higher towards the tower top.

Luis watched, gaping. Twice, their progress faltered and they dropped a foot before recovering and continuing to rise. But at last, they alighted on the roof of the tower, barely visible in the darkness. Luis had to squint to make them out, but he thought he saw Carrie gesturing, stepping forward —
Then something in his mind went blip, and his vision blacked out for a split second.

Luis blinked and looked around. What was he doing here at the clock tower? On Crossings Night of all nights? He'd planned to spend the evening in his workshop with his inventions, he remembered that much. And then . . . had he fallen asleep? He vaguely remembered something hazy and dream-like: a girl in green, a monster, people flying, and an urgent need to . . . do something. Had he sleepwalked all the way out here?

The tower struck midnight, the bells ringing out brilliant and clear over the city. Luis stared up at the top of the tower instinctively. In his dream, he'd needed to get to the top of the tower for some reason. But that was nonsense. No one could go up in the towers.

And yet . . . Luis frowned. Was that a shadow on the clockface? Something moving inside?

Nonsense. Luis shook his head and set off down the street as the last bells died away. He was sleep-deprived to even think of it. Honestly, he should've just gone to bed an hour ago rather than staying up to greet the new year.

And it was the new year now. Luis grinned. Tomorrow — today at this point — Josiah would come by with leftover fancy food and tales of what happened at the royal ball. And he'd have some new goal for the year, something big and impossible and shining and noble. Who knew what it would be; Luis would be happy just to get into the Inventors' Guild. And who knew? Maybe this would be his year. He'd just have to wait and see.

Wednesday, August 7, 2019

Golden Braids Blog Tour DAY 3: MECHANICAL HEART RELEASE! (Ft. Writing Deaf Characters (When You're Not Deaf))


Hey'a, everyone! As you can see from the title, Mechanical Heart is officially out! Writing, editing, and publishing this book has been quite a journey, and it involved a lot of challenges I didn't have to deal with when writing Blood in the Snow. But it's done; it's out in the world and ready for you all to explore; and all those challenges are now just life lessons and stories to tell. And for today, I'm sharing about one of those challenges . . . but first, blurb time.

About . . .

Mechanical Heart!

Can you save someone who doesn’t know if she’s alive?

Breen lives locked away, separated from the world by the walls of her clock tower and the machine of gems, gears, and magic that replaces her heart. That is, until an unexpected visitor appears in her tower, offering a dangerous gift: freedom. His promises awaken hope for a life unbound by the tower walls — but she knows that if he learns about her heart, it’s only a matter of time before he turns on her.

Josiah is powerless. Though he’s the crown prince of the mighty Chanian empire, he feels stifled by his inability to protect his people from the schemes of corrupt nobles. When he discovers a girl trapped in a locked clock tower, he thinks he’s finally found a problem he can solve . . . but more than just walls keep her captive.

From the royal palace to the streets of Rivenford to the tops of clock towers, secrets hide around every corner in this steampunk retelling of Rapunzel. Breen and Josiah hold the keys to each other's struggles — if they can break down the barriers that divide them.

Find it On: Amazon || Goodreads


On Writing Deaf Characters (When You're Not Deaf)

If you’re an author of speculative fiction, you learn pretty quickly how to write characters who are different from you. After all, most writers aren’t sword-wielding, spell-slinging adventurers or sharp-shooting, quick-witted starship captains. Very few of us grew up without knowing who our parents are; most of us haven’t had to deal with the mental or physical aftermath of fighting for our lives; and none of us have ominous prophecies hanging over our heads. (At least, I assume not. If I’m wrong on that one, please let me know.)

Mechanical Heart is no exception to that principle. After all, its cast includes a politician prince whose desire to change the world is only surpassed by his tendency to make dramatic speeches, a pair of pretty brilliant (and also rather technically minded) inventors, and a princess who might be one of the most outgoing and extroverted characters I’ve ever written. Oh, and did I mention that two of those characters — one of the inventors and the princess — are deaf?

So, how does a hearing author write a deaf character? The usual advice for writing characters different from you — “Write people, not characters” — only goes so far. For the rest, well, that requires a lot of research and a bit of ingenuity.

Most of that research went into figuring out how Breen and the other major deaf character, Princess Grace, would communicate and interact with other people. In the earliest version of the book, conversations between Breen and Josiah (the prince I mentioned earlier) involved a lot of written notes and too-accurate lip reading. However, the more I learned about life for a deaf person, the more I realized that what I had was both unrealistic and infeasible.

Thankfully, by the time I got around to writing the second, third, and fourth drafts, I had help. By that time, I was in college and had found a friend with a fair knowledge of sign language and the Deaf community. She and some of her friends were able to answer quite many of my questions, and they directed me to solid resources for learning more. (For those curious: most of the people I asked said that Lifeprint is the best choice for learning ASL, and I relied on it quite a bit in certain scenes.)

Of course, how characters talk to each other is only part of how they interact. I also had to try to understand how people in the Deaf community tend to view hearing people and what behaviors and attitudes would be realistic or unrealistic on both sides of the conversation. One resource I found particularly helpful on this point was a deaf YouTuber, Jessica Kellgren-Fozard, who has some videos that provide a really good look at a deaf person’s perspective. Of course, the attitudes of someone from our modern era might not match those of someone from the Victorian era . . . but I’m not writing historical fiction here! That meant I could make societal treatment of the deaf in the world of Mechanical Heart a lot more like what it is today than what it was historically.

(Also, minor sidetrack: Victorian attempts at hearing aids are fascinating. Most of them were something along the lines of an ear trumpet or a reverse megaphone — but the Victorian people found so many ways to hide them. In hairpieces, in hats, in fans, in chairs . . . it’s honestly impressive. This article from the Washington University School of Medicine covers the topic pretty well; go read it. It’s cool.)

Even once I’d done the research, writing from a deaf POV and about deaf characters had its own challenges. Obviously, I had to make sure I wasn’t including sound details when I was writing from the perspective of a deaf character. However, I also had to consider other details that normally wouldn’t be a concern, like whether or not characters would actually be able to see what the other was signing and what type of sign language different characters use. (For example, Breen uses her world’s equivalent of ASL, which has a grammatical structure different from that of English. On the other hand, Josiah, who often has to speak and sign at the same time, tends to use his word’s version of PSE, which uses ASL signs with English word order.)

Even with all that to consider, though, writing from Breen’s POV wasn’t any harder than writing from any other character’s POV. In fact, her scenes were often easier to write than Josiah’s many debates and other verbal sparring matches. The biggest challenge was just making sure I got her part right. I want to tell a good story, but I also want to tell it in a way that’s respectful to the communities my characters represent. I’m aware that I may have gotten some things wrong; after all, I’m only human. But I did my best, and I hope that will be enough.

So, are you excited to read Mechanical Heart? What are you most looking forward to? Have you ever written a character who's deaf (or faces other physical challenges that you don't)? What character that you've written about would you say is the most different from you? Please tell me in the comments, and don’t forget to check out the rest of the tour posts and enter the giveaway!
Have a lovely day!
-Sarah (Leilani Sunblade)

Blog Tour Stops: August 7

Knitted By God's Plan - Five Reasons to Read
Light and Shadows - Five Reasons to Read
Dreams and Dragons - Writing Deaf Characters

Reviews

Reality Reflected + Mini Interview!
The Page Dreamer
The Language of Writing
The Labyrinth + Mini Interview!
The World of a Writer

Interviews

To be a Shennachie - Sarah

Guest Posts

Dragonpen Press - Why Nomances

Or find the full list of stops here.

Friday, August 2, 2019

August 2019 Doings!

Welp. That's another month gone. For once, I was aware of the time passing . . . if only because I was painfully aware of how much longer I had to work on my Camp NaNoWriMo novel at times. Speaking of which, let's jump into the Doings!

Writing!

  • Obviously, the main event of the month was Camp NaNoWriMo. My 12 Dancing Princesses/Hades and Persephone retelling is turning out significantly longer than I anticipated, which is . . . I don't know how I feel about it, honestly. I do know that I forgot how talkative some of these characters are.
  • I'm not going to lie; a lot of this month was a struggle. I had a week where I barely had time to write, and another few weeks after that where I didn't want to write or do much of anything creatively productive. I'm pretty sure I know why — because most of the books at the top of my TBR were Asian fantasy, which I didn't want to read while I was still starting my new book for fear that they'd influence the setting or story more than intended. But that meant I basically didn't read anything, which meant that once my well of inspiration started getting low, it never got refilled. Lesson learned, I guess.
  • I did manage to finish the month, though, after a weekend trip that involved a lot of writing time in the car and after binge-re-reading Today Nothing Happened, a journal webcomic that's about as far in genre from my WIP as possible. My final count for the month was 20,140 words. So that's great.
  • And, in case anyone was curious: no, the book doesn't have an official title yet — particularly since my comment in my last Doings post about how the term Earth might not exist in this world sparked a discussion about why not and a revelation that I got mixed up on my etymology. (That is to say, the Earth is named after the dirt, not the other way around.) So now I'm trying to decide between two names:
    • Blood in the Earth. (Fits really well thematically with the book's setting and certain plot elements, but I'm not sure if people would see the term "Earth" and think our planet first, rather than dirt or soil — which would be a problem; while the world of the book resembles Earth strongly, it is not actually Earth.)
    • Blood in the Soil. (This avoids the confusion about Earth and fits most of the same themes that Blood in the Earth does, though it has somewhat different connotations. My main concerns with this one: for one thing, I'm not sure it would lock me into "Blood in the [insert s-word] for future titles, and for another, it kind of sounds like a Southern gothic novel to me? Though I could be wrong; I don't read Southern gothic.)
    • There were almost three names here, since I was still kinda considering Blood in the Night, but then I realized that it sounds like a vampire novel. So . . . that's out.
  • I also worked a bit on my D&D campaign during some of the points where I didn't want to work on my novel. (You would think that would be just as draining, but it kind of depends which episode I'm working on.) I currently have a bunch of ideas for different episodes and challenges, and they're all kind of right around level 3 or level 4, so . . . good thing characters tend to stay there for a while. I am seriously excited for this campaign, though, even if it's a long way from done.

Reading!

  • So . . . you know how basically tried to devour the library the last few months?
  • That did not happen this month.
  • Basically the only books I read were the other Five Golden Braids books — all of which are pretty great, by the way. But each of them gets a list-post next week in the blog tour, so I'll skip talking about them now.

Watching!

  • The most exciting thing I watched all month: How To Train Your Dragon 3! In the theater! One of our local theaters was showing it again on special, so my sister, my mom, and my sister's friend and her family all went to see it. I liked it on the whole, aside from some intended-as-comedic elements that I thought didn't need to be there, but I also have mixed emotions about the ending.
  • I mean, on one hand, it was a great ending — thematically fitting and all that. It definitely paid off all the character and plot conflict that we'd had over the rest of the movie.
  • But on the other hand, I am sad about certain things because those things involved goodbyes and it was not OK.
  • Also, this may have been the prettiest of the HTTYD movies, but don't quote me on that.
  • The second-most exciting thing I watched all month: I finally saw Spider-Man: Homecoming. Like most Marvel movies involving Tony Stark, it was a good movie, but could have been better if certain people actually bothered to communicate. Seriously, that could have eliminated a significant number of the more frustrating plot problems. And it's not like the pieces weren't already in place! And I'm going to rant about how I would have written the movie differently if I were in control — it's been out long enough that everyone probably has either seen it or knows all the spoilers. If you don't fit in one of those categories and you care about staying that way, just skip past the whole indented section.
    • So, a lot of the conflict comes from the fact that after Germany, Tony is kind of ignoring Peter — or, not necessarily ignoring, but at least not responding. And he gives no explanation for why that we're aware of. Bad call. We'll give Tony a pass initially, 'cause Steve kind of did a number of him in Civil War. But once he starts pulling himself back together and saw that Peter was still all excited to be a superhero and an Avenger, what should or could he have done?
    • Simple. Contacted Peter, maybe even invited him to Avengers/Stark Tower and basically said "Look, kid, you did great in Germany, you're excited, all that is awesome. But you're not quite ready to officially join the Avengers yet. So, the next several months are training time. Keep practicing with the new suit, keep proving what you can do at street level, and when you're ready, you can go on another mission with me."
    • Even better: Tony also uses this as an opportunity to set up a regular "check-in" time when Peter can talk to either him or (more likely) Happy and let them know how stuff is going, ask questions, that sort of thing. Y'know. An actual mentorship. That would've been great, but not absolutely essential.
    • Possibly Tony also uses this opportunity to start whatever training program Karen referenced in the film for helping Peter learn how to use the suit's advanced features (though that would eliminate some of the tension and comedic elements later on).
    • (Possible counterargument to this part of the plan: Tony is a busy man. He has bigger things to worry about than a kid superhero. Counter-counterargument: the film makes it pretty clear that Tony was aware of what Peter was doing anyway, and also, taking responsibility for your choices is a thing.)
    • So. Now Peter's not as frustrated by the fact that he's not doing "real" superhero stuff because at least he knows he hasn't been forgotten about. He's still hero-ing every spare minute, probably, and so the film's plot goes more or less as it would anyway up through the first encounter with Vulture up through the bit where Peter finds out where the weapons deal is happening and tells Happy about it.
    • At that point, instead of Tony still pretending he's ignoring Peter and secretly calling in the feds, he tells Peter "Great work, kid; I've called in the feds and we'll take it from here." Peter probably protests that he wants to still be involved. Possibly he shows up anyway and still messes stuff up somehow, but in that case, it's his own storming fault and Tony is honestly justified in taking the suit away.
    • Or, possibly, it doesn't even get as far as the weapons deal. Possibly Peter instead tells Tony about tracking the Vulture and his crew to Maryland, Tony says "Great; thanks; we'll take it from here," and Peter interferes then and gets the suit taken away then — though, obviously, that would have made the Washington Monument scene go very differently.
    • After this, the film continues basically like it did anyway, and the climax goes down pretty much just like it did in the movie, 'cause that was honestly really great.
    • And after the climax, Tony still invites Peter to be an Avenger, and Peter probably still says "Thanks, but I think I need more training." Or possibly it's more low-key; maybe Tony shows up with Peter's new suit in hand and is like "Hey, you did great. You're still technically in training, 'cause you're a minor and probably shouldn't be doing full-time heroing, but you get to go on missions with me sometimes now. Speaking of which, suit up." That would lose the impact of Peter's choice, but I think it would still work thematically.
    • Aaaaand there you go. Spider-Man: Homecoming as rewritten by me.
  • Ok, for those of you who didn't want to read spoilers: those are over now. MOVING ON.
  • In other movie-watching news: I'm trying to figure out how I feel about western movies.
  • See, my dad really likes western movies (specifically John Wayne western movies), and I like the idea of westerns (to the degree that I had a whole subplot in one novel that was basically "how close can I get to a western in a medieval-ish fantasy setting?"). But the only western movie I'd watched until recently was the original The Magnificent Seven, which is a good movie with great character development . . . culminating in the death of a lot of the characters I really liked.
  • Needless to say, this did not make me feel terribly inclined to watch more westerns.
  • However, my dad recently bought a collection of old John Wayne movies and wanted to watch some of them. And I was feeling bad about having judged an entire genre off of one work, so I said I would watch a couple of John Wayne movies before I went back to Cedarville. And that is how I ended up watching Blue Steel and The Man Who Shot Liberty Valance and why I'm now trying to figure out how I feel about the genre as a whole.
  • (Blue Steel, for the record, was intensely unimpressive, but it was also obviously a low-quality movie with equally low-quality writing. The Man Who Shot Liberty Valance, on the other hand, was very well-written, very well-acted, and very well-staged. The scriptwriters and directors did an excellent job of showing you that even minor characters had lives and dreams outside of the plot, the conflict was pretty well set up . . . but certain things didn't happen like I expected them to, and I'm not sure if I like how they happened instead. Also, Tom Doniphon is problematic, but he reminds me of certain of my characters, so now I don't know how I feel about him or them. It's a problem.)
  • Oh, and I watched more Star Trek. I continue to prefer The Next Generation to the Original Series, but I don't think that surprises anyone.

Life!

  • I MADE PECAN PIE! Obviously this is the most important thing that happened all month.
  • (It's not. But it was delicious and I'm very happy about how well it turned out.)
  • Anyway. Even aside from Camp NaNoWriMo, July was pretty busy, especially the first half of the month. That's not a bad thing, but it doesn't help my ability to write.
  • Independence Day was fun, but low-key: we went over to a friend's house, enjoyed some really great barbeque, and watched the DC and New York fireworks from the comfort of the friend's living room. (It had been threatening rain all day, plus no one was really that excited about going somewhere to sit in a buggy field to watch things explode, so we decided it was better not to risk anything.)
  • Next on the lineup: Cow Appreciation Day! Yes, we did go to Chick-Fil-A for all three meals. But, look, if they're going to give me a free chicken biscuit or BBQ chicken sandwich or whatever and all I have to do is show up wearing a cow shirt, I will absolutely take that deal. (I mean, technically I got a breakfast burrito instead of a chicken biscuit, but my point remains.) This was also the day we went to see HTTYD3, so it was a good day all 'round, if not a terribly productive one.
  • And shortly after that, my grandpa came to visit (as he usually does this time of year), so that was fun. That said, we didn't do a ton while he was here, since he's having hip problems. We did go to 7/11 on 7/11 day for free slurpees, though. And then, oddly enough, we then visited him a week or so after he left so that he and my dad could make my sister a desk hutch for Cedarville. (Why did we not just make it here? Basically, Grandpa is better set up for woodworking projects than we are, and we had to be in Pennsylvania anyway to drop my sister off for the camp she was volunteering at, so . . . why not?)
  • So, yeah, that's pretty much all the event-y stuff. In non-event-y stuff: my sword is progressing fairly well. All the pieces are printed and sanded, so now I just have to epoxy them all together and paint the whole thing. I'm also toying with the idea of making some kind of sheath for it, but I don't have the skills to make a model for 3D printing . . . anyone have any suggestions?
  • And, yeah, as you probably guessed from the start of this section, I've been baking! So far, I've made several loaves of sourdough bread (I still can't get it shaped right, though I'm making progress on the density problem), pretzels (twice! they were delicious), pancakes (also delicious), and pizza. I'm unreasonably proud of the pizza.
  • (Also, I play Hearthstone on and off, but July was more an "on" month than an "off" one because they were running a special event and I absolutely loved their special twist on the game for the first two weeks of the month. I really wish there was a way I could play those characters outside the event, 'cause they made those particular classes two to five times more interesting than they had been. Well, three of the five did. The other two, not so much. Needless to say, this did not help with Camp NaNoWriMo, especially since the most interesting week of the special event coincided with the week in which I felt least inspired.)

August Plans!

  • Mechanical Heart releases August 7! That's less than a week away! I am quite excited but also a bit stressed — more about the tour than the actual release. It should be good, though.
  • On that note: you get a blog post every day next week on both my blogs. Different blog posts, even. On Light and Shadows, I'll be posting five reasons why you should read each of the Golden Braids books. Meanwhile, Dreams and Dragons will be hosting an assortment of interviews.
  • And after that, I will probably take a week or two off of blogging, both because I'll be tired from the blog tour and because I'll be headed back to Cedarville the week after my book releases!
  • This semester should be pretty solid on the whole. I don't have any classes that I'm dreading, though I am nervous about some of my graphic design classes — I've heard that the professor is tough. But, hey, I get to learn how to make fonts, so that's exciting. Plus, I get to take a creative nonfiction class, which was one of the creative writing courses I was most disappointed out missing back when I decided not to do a creative writing minor.
  • Besides that, August will mostly be occupied with trying to finish up projects: the draft of Blood in the [Something], the first month or two of my D&D campaign, my sword, my knitted cloak (or, part of it, anyway), a few other dorm items, and so on.
  • Also, I need to get back to the whole reading-all-the-books thing. And I have shows I want to watch.
  • So, yeah.
How was your July? What are your plans for August? Which title do you think sounds better, Blood in the Earth or Blood in the Soil? Please tell me in the comments!
Thanks for reading!
-Sarah (Leilani Sunblade)